"Great White Pelicans" by Jacob Shea had its release date on January 17, 2020. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 41 in the song's album "Seven Worlds One Planet (Original Television Soundtrack) [Expanded Edition]". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Great White Pelicans is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Great White Pelicans by Jacob Shea having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ワタリアホウドリの飛翔 | Hans Zimmer, Jacob Shea, David Fleming | E♭ Major | 1 | 5B | 69 BPM | ||
| Evolet | Harald Kloser, Thomas Wander | A Minor | 0 | 8A | 84 BPM | ||
| Elegy for Refugees | Dario Marianelli | E Major | 3 | 12B | 86 BPM | ||
| End of War | Alexandre Desplat, London Symphony Orchestra | B♭ Minor | 2 | 3A | 82 BPM | ||
| Eshkeri: Flying Vessel | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 4 | 9B | 83 BPM | ||
| The Scholar's Mate | Carlos Rafael Rivera | C Major | 3 | 8B | 136 BPM | ||
| Funeral Preparations | Martin Phipps | B♭ Minor | 1 | 3A | 88 BPM | ||
| Searching for Water | Jacob Shea, Sara Barone | G Minor | 1 | 6A | 80 BPM | ||
| Tibet | Burkhard Dallwitz | E Minor | 2 | 9A | 91 BPM | ||
| Starlight | Anne Nikitin, Jessica Jones | G Major | 2 | 9B | 94 BPM | ||
| The Duchess | Rachel Portman | G Major | 2 | 9B | 116 BPM | ||
| I Lived Here | Martin Phipps | A Minor | 1 | 8A | 96 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| Obliviate | Alexandre Desplat | C Major | 2 | 8B | 150 BPM | ||
| Butterfly Ball | BBC Concert Orchestra, Sarah Class, Elizabeth Purnell | B Major | 6 | 1B | 87 BPM | ||
| The Undergound | Jacob Shea, Sara Barone | B♭ Major | 1 | 6B | 88 BPM | ||
| Simple Harp Variation No. 2 | Martin Phipps | A♭ Minor | 2 | 1A | 113 BPM | ||
| Your Majesty | Rupert Gregson-Williams, Lorne Balfe | B♭ Major | 3 | 6B | 140 BPM | ||
| They Were Starting to Like Me | David Hirschfelder | G Minor | 1 | 6A | 115 BPM | ||
| Beth's Story | Carlos Rafael Rivera | E♭ Major | 1 | 5B | 100 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| Landing of the French | Marc Streitenfeld | A Minor | 5 | 8A | 185 BPM | ||
| The Brightest Star in the North | Geoff Zanelli | D Minor | 3 | 7A | 123 BPM | ||
| Bee Introduction | Sara Barone, Jacob Shea, Minecraft | B♭ Minor | 2 | 3A | 163 BPM | ||
| Primaveral | J.T. Peterson | F Minor | 3 | 4A | 89 BPM |