Lorne Balfe, Julian Nott's ' "Reprogrammed for Revenge" was released on its scheduled release date, December 13, 2024. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Reprogrammed for Revenge's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wallace & Gromit: Vengeance Most Fowl (Original Motion Picture Soundtrack) by Lorne Balfe, Julian Nott. The song's track number on the album is #7 out of 22 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Reprogrammed for Revenge's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Reprogrammed for Revenge by Lorne Balfe, Julian Nott has a tempo of 129 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Reprogrammed for Revenge being at 129 BPM, the half-time would be 64 BPM with a double-time of 258 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lower Away | Roque Baños | C Minor | 4 | 5A | 93 BPM | ||
| Ya Todo Es Irrelevante | Los Elocuentes | B♭ Minor | 4 | 3A | 90 BPM | ||
| New Queen | Martin Phipps | B♭ Major | 1 | 6B | 169 BPM | ||
| The Legend of Excalibur | Daniel Pemberton | G Major | 3 | 9B | 89 BPM | ||
| The Bond of Sacrifice | Rob Lane | F Minor | 1 | 4A | 168 BPM | ||
| Assassin's Creed Rogue Main Theme | Elitsa Alexandrova, Jesper Kyd, Assassin's Creed | D Minor | 4 | 7A | 136 BPM | ||
| Bayek of Siwa | Sarah Schachner, Assassin's Creed | F Major | 8 | 7B | 95 BPM | ||
| Chase Walking Nantucket | Roque Baños | D Minor | 6 | 7A | 120 BPM | ||
| War | James Horner | G Minor | 4 | 6A | 125 BPM | ||
| Green Earth | Paul Saunderson | D Major | 2 | 10B | 108 BPM | ||
| Havana to Vienna | Joe Kraemer | A♭ Major | 1 | 4B | 114 BPM | ||
| National Treasure Suite | Trevor Rabin | B♭ Minor | 4 | 3A | 98 BPM | ||
| Death of a Master | Kevin Kiner, Takeshi Furukawa | G Minor | 2 | 6A | 67 BPM | ||
| Sacrifice | Steve Jablonsky | D Minor | 1 | 7A | 89 BPM | ||
| This Was the Plan | Lorne Balfe | C Major | 7 | 8B | 123 BPM | ||
| Septimus | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 7 | 9B | 154 BPM | ||
| Andor Season 2 End Credits Music | Jamie Evans Music | A Minor | 4 | 8A | 60 BPM | ||
| To Ilus | Clinton Shorter | D Minor | 4 | 7A | 133 BPM | ||
| Atto Di Pietà | Sagrifizio | C Major | 3 | 8B | 114 BPM | ||
| Roddy | Martin Phipps | B Minor | 1 | 10A | 126 BPM | ||
| Robin Speaks | Marc Streitenfeld | D Major | 1 | 10B | 79 BPM | ||
| A New Chapter | Rupert Gregson-Williams, Lorne Balfe | D Minor | 4 | 7A | 170 BPM | ||
| I'll Be Waiting | Max Aruj, Alfie Godfrey | A♭ Major | 5 | 4B | 140 BPM | ||
| World On The Move | Jasha Klebe, Thomas Farnon, Empara Mi | D♭ Major | 4 | 3B | 145 BPM | ||
| My Name Is Barbossa | Geoff Zanelli | F Major | 3 | 7B | 89 BPM |