George Benson's ' "That's Right" was released on its scheduled release date, January 1, 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "That's Right". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, That's Right is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With That's Right by George Benson having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Felinicity | Warren Bernhardt | E Minor | 4 | 9A | 116 BPM | ||
| Never Can Say Goodbye | David Benoit | G Minor | 4 | 6A | 174 BPM | ||
| Fogtown Players | Oddframe | G Minor | 4 | 6A | 174 BPM | ||
| Tale of Two Cities | Darren Rahn | A Major | 7 | 11B | 92 BPM | ||
| Freedom At Midnight | David Benoit | F♯ Minor | 6 | 11A | 118 BPM | ||
| Can't Help Myself | The Sax Pack | F Minor | 7 | 4A | 113 BPM | ||
| Espirrito | Shakatak | G Major | 9 | 9B | 95 BPM | ||
| Fallin' For You | The Sax Pack | A♭ Major | 8 | 4B | 115 BPM | ||
| Get In Step | David P Stevens | D Major | 8 | 10B | 115 BPM | ||
| I've Got A Right | Oleta Adams | A♭ Major | 5 | 4B | 137 BPM | ||
| Whiskey Silence | Midtown Noir | G Minor | 4 | 6A | 174 BPM | ||
| Anchor Ritual | Shoreline Collective | G Minor | 4 | 6A | 174 BPM | ||
| It's a Party in Here | Kim Waters | D Major | 6 | 10B | 110 BPM | ||
| Where You Are | El DeBarge | B Major | 6 | 1B | 205 BPM | ||
| Take a Chance on Me | Bluey | E Minor | 7 | 9A | 92 BPM | ||
| Undun | Steve Cole | E♭ Minor | 4 | 2A | 116 BPM | ||
| Oh The Joy And The Pain | Gregory Porter | G Minor | 4 | 6A | 174 BPM | ||
| Sandbar Manual | Shoreline Collective | G Minor | 4 | 6A | 174 BPM | ||
| Where Do We Go From Here? | Michael Cates | G Major | 8 | 9B | 104 BPM | ||
| Freeway Jam | Brian Tarquin | C Major | 6 | 8B | 100 BPM | ||
| Could It Be You | Marcus Miller | G Major | 2 | 9B | 76 BPM | ||
| The Squizzle | Shakatak | C Major | 4 | 8B | 172 BPM | ||
| Supersize! | Oli Silk | D Major | 8 | 10B | 106 BPM | ||
| Maceo | The Sax Pack | C Major | 8 | 8B | 97 BPM | ||
| I Am Singing | Larry Coryell | D Major | 6 | 10B | 105 BPM |