Horacio Durán's ' "Manzanitas" was released on its scheduled release date, January 15, 2002. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Manzanitas's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 19 in Charango Autores Chilenos (Vol.1) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. The popularity of Manzanitas is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Manzanitas by Horacio Durán is Vivace (lively and fast), since this song has a tempo of 166 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Razón de Vivir | Los Cuatro Cuartos | D♭ Minor | 6 | 12A | 102 BPM | ||
| Copagira | Eddy Navia | C Major | 5 | 8B | 122 BPM | ||
| Tupac Katari (Tupac Katari) | Inkuyo | E Minor | 2 | 9A | 156 BPM | ||
| Cacharpaya de Carnaval | Markamaru | E Minor | 5 | 9A | 92 BPM | ||
| Tonada Triste | Horacio Durán | D Minor | 4 | 7A | 130 BPM | ||
| Agüita Pura | Rene Inostroza | A Major | 4 | 11B | 94 BPM | ||
| Cóndor Pasa (Instrumental) | Taita Inca | A♭ Minor | 3 | 1A | 90 BPM | ||
| Es el Colmo Que No Dejen Entrar a la Chabela | Conjunto Quilapayun | A♭ Minor | 3 | 1A | 123 BPM | ||
| Lala | Roberto Parra | C Major | 4 | 8B | 89 BPM | ||
| Patas D'hilo | Ensemble Recoveco | G Major | 1 | 9B | 82 BPM | ||
| Mi Madre Me Mandó al Fuego - En Vivo | Los Chileneros | E Major | 6 | 12B | 118 BPM | ||
| Peregrinación | William Ernesto Centellas | A Minor | 4 | 8A | 92 BPM | ||
| Marinera Puneña | INCA, the Peruvian Ensemble | E Minor | 9 | 9A | 127 BPM | ||
| Noches de Amor | Lican Antay | C Major | 6 | 8B | 156 BPM | ||
| Dolor indio | Sayri Tupac | G Major | 3 | 9B | 124 BPM | ||
| Romance en el Arenal | Savia Andina | D Major | 6 | 10B | 105 BPM | ||
| Velorio de un Negro Criollo | Elizabeth Morris, José Seves | A Major | 4 | 11B | 120 BPM | ||
| Estudio para Charango | Illapu | G Major | 7 | 9B | 97 BPM | ||
| Inutilmente | Markamaru | F Major | 7 | 7B | 54 BPM | ||
| Circular | Fabián Fuentealba, Pablo López | E Major | 3 | 12B | 123 BPM | ||
| El Humahuaqueño | Los Cholos Andinos | A♭ Major | 4 | 4B | 96 BPM | ||
| Bajando Pa' Puerto Aysén | Los Cuatro Huasos | D Major | 4 | 10B | 103 BPM | ||
| El Afilador | Ricardo Vilca Y Sus Amigos | C Major | 4 | 8B | 118 BPM | ||
| Chimba Chica | Jaime Torres | A♭ Minor | 3 | 1A | 106 BPM | ||
| Mientras Estas Ausente | Altiplano | E Minor | 2 | 9A | 180 BPM |