After Everything
Michael Edwards, Christian Tschuggnall
Nordic Score
2:39 January 15, 2020
BPM
130
Key
F♯ Minor
Camelot
11A

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After Everything by Michael Edwards, Christian Tschuggnall Song Details

Michael Edwards, Christian Tschuggnall's 'After Everything' had a release date set for January 15, 2020. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. After Everything's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Nordic Score". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, After Everything's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

With After Everything by Michael Edwards, Christian Tschuggnall having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Music Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-16.366 dB
Acousticness
94%
Danceability
76%
Energy
37%
Instrumentalness
91%
Liveness
14%
Loudness
73%
Speechiness
3%
Valence
38%

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ISRC
GBAXQ2003008
Label
L-M Records/RCA Records