Barkha Rani's ' "Mor Saiya Sil Kutna" was released on its scheduled release date, January 4, 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 8 in Chumma Leta by Rekha Rani, Barkha Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Mor Saiya Sil Kutna's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Mor Saiya Sil Kutna by Barkha Rani is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jo Tu Ful Gayo Fugga So | Gafur Khan, Babli Sharma | D♭ Major | 9 | 3B | 131 BPM | ||
| Bhatar Muana Par Chadhal Sarsati | Guddu Rangila, Sakshi | D♭ Major | 9 | 3B | 110 BPM | ||
| Nak Dangarar Beta | Rahima Begam Kalita | F♯ Major | 7 | 2B | 78 BPM | ||
| Miyandeen Ke Arhari Mein | Diwakar Dwivedi | F Minor | 9 | 4A | 126 BPM | ||
| Te Akela Abe Wo | Gofelal Gendle | F♯ Major | 9 | 2B | 120 BPM | ||
| Chhono Mono | Vishnu Mandal, Barkha Rani | D♭ Major | 9 | 3B | 85 BPM | ||
| Gulab Jamun Bhail Ba Gaal | Ravina Raj, Sudhir Lal Yadav | A Minor | 9 | 8A | 73 BPM | ||
| Karam Dina Kale Ni Awate | Nagpuri Diwana | D Major | 9 | 10B | 124 BPM | ||
| Kaske Jala Bada Bujhala | Barkha Rani | D♭ Minor | 9 | 12A | 162 BPM | ||
| Jhili Mili Angna | Pawan Roy | D♭ Major | 9 | 3B | 85 BPM | ||
| Deewana Bhelo Aashiq Banala | That Nagpuri | C Major | 10 | 8B | 180 BPM | ||
| Pyar Ke Kagaj | Pawan Roy | D♭ Major | 6 | 3B | 186 BPM | ||
| Hariyar Doliya Me Lalka | Bharat Sharma | E♭ Minor | 7 | 2A | 149 BPM | ||
| Kaha Se Aali Badi Sundar | Pawan | F♯ Minor | 5 | 11A | 181 BPM | ||
| Man La Mohi Dare | Prem Anand Chauhan | F♯ Major | 8 | 2B | 165 BPM | ||
| mummy ne bheji bazar sham ko | Mamta Uikey | D♭ Major | 7 | 3B | 74 BPM | ||
| Chandna Hoya Gat Me Khake Bhbhuti Teri | Parveen Chawariya | C Major | 9 | 8B | 126 BPM | ||
| Helo Ji Suno | Gopal Bajaj | A♭ Major | 9 | 4B | 105 BPM | ||
| Chhodi Nilam | Fauji Lalit Mohan Joshi | B♭ Minor | 9 | 3A | 177 BPM | ||
| Bandi Bulave Has Has Ke | Bijal Khan Mehar | D Major | 8 | 10B | 90 BPM | ||
| Eli Pasand Karbe Re Gajala | Gofelal Gendle, Hanshraj Ghritlahre | D♭ Minor | 9 | 12A | 89 BPM | ||
| DJ Bajale Bhai | Riza Khan, Bali Thakre | F♯ Major | 8 | 2B | 95 BPM | ||
| Aav Aav Kareja Mein Sat Ja | Barkha Rani | D♭ Major | 7 | 3B | 97 BPM | ||
| Rangeelo Kumau | Lalit Mohan Joshi | G Major | 8 | 9B | 91 BPM | ||
| Mere Baba Tera Brahmakumaris | BK Asmita, B.K. Sarojini | E Major | 9 | 12B | 87 BPM |