On 1956, the song "The Matrimonial Stomp" was released by Stubby Kaye, Li'l Abner Ensemble. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Original Broadway Cast of Li'l Abner's "Li'l Abner (Original Broadway Cast Recording)" album is number 16 out of 20. In terms of popularity, The Matrimonial Stomp is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of The Matrimonial Stomp by Stubby Kaye, Li'l Abner Ensemble to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Coffee Break | Charles Nelson Reilly, Claudette Sutherland, How to Succeed in Business Without Really Trying Ensemble | F Major | 3 | 7B | 115 BPM | ||
| Consider Yourself | Michael Goodman, Bruce Prochnik, Oliver! Ensemble | C Major | 2 | 8B | 136 BPM | ||
| Oh, Better Far to Live and Die | The Pirates Of Penzance | F♯ Major | 4 | 2B | 107 BPM | ||
| They Were You | Rita Gardner, Kenneth Nelson | C Major | 1 | 8B | 95 BPM | ||
| If I Loved You | Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra | F Major | 3 | 7B | 131 BPM | ||
| Adelaide's Lament (from "Guys & Dolls") | Vivian Blaine | F Major | 1 | 7B | 90 BPM | ||
| It's Been a Long Long Time | Stubby Kaye | D Minor | 2 | 7A | 84 BPM | ||
| Annie: Something Was Missing | Charles Strouse, Reid Shelton, Annie (Original Broadway Cast), Peter Howard | C Major | 1 | 8B | 150 BPM | ||
| If I Were A Bell (from "Guys & Dolls") | Isabel Bigley | D Major | 1 | 10B | 99 BPM | ||
| A Puzzlement - Remastered 2001 | Yul Brynner, Darcy M. Proper, Jen Wyler | B♭ Major | 4 | 6B | 137 BPM | ||
| It's a Most Unusual Day (from "A Date with Judy") - 2006 Remaster | Jane Powell | A♭ Major | 3 | 4B | 70 BPM | ||
| Chitty Chitty Bang Bang: Chitty Chitty Bang Bang | Richard M. Sherman, Robert B. Sherman, Michael Ball, Emma Williams, George Gillies, Carrie Fletcher, Original Broadway Cast of Chitty Chitty Bang Bang, Robert Scott | C Major | 3 | 8B | 117 BPM | ||
| There Is a Sucker Born Ev'ry Minute | Jim Dale, Peter Howard, Barnum Original Broadway Cast, Original Broadway Cast of Barnum | D♭ Minor | 9 | 12A | 146 BPM | ||
| Lullaby of Broadway | Jerry Orbach, 42nd Street Ensemble, John Lesko | C Major | 3 | 8B | 81 BPM | ||
| I'm Only Thinking of Him | Natascia Diaz, Olga Merediz, Mark Jacoby, Brian Stokes Mitchell | F Minor | 2 | 4A | 128 BPM | ||
| Love I Hear | Brian Davies | G Major | 1 | 9B | 171 BPM | ||
| Opening: I Hope I Get It | Marvin Hamlisch, A Chorus Line Ensemble, Don Pippin | A Major | 7 | 11B | 82 BPM | ||
| Tevye's Dream | John Williams, Chaim Topol, Norma Crane, Patience Collier, Ruth Madoc, "Fiddler On The Roof” Motion Picture Chorus, "Fiddler On The Roof” Motion Picture Orchestra | F♯ Major | 3 | 2B | 65 BPM | ||
| All Er Nuthin' Ballet | Original 1955 Oklahoma! Studio Orchestra, Darcy M. Proper | C Major | 1 | 8B | 91 BPM | ||
| Hurry! It's Lovely Up Here | John Cullum, Barbara Harris | C Minor | 2 | 5A | 109 BPM | ||
| Overture / You're the Top | Anything Goes Orchestra (1962), Hal Linden, Eileen Rodgers, Julian Stein | B♭ Major | 3 | 6B | 103 BPM | ||
| Dance: Ten; Looks: Three | Marvin Hamlisch, Pamela Blair, Don Pippin | D♭ Major | 5 | 3B | 109 BPM | ||
| Gary, Indiana | Robert Preston, Meredith Willson | D Major | 5 | 10B | 114 BPM | ||
| Grand Old Ivy | Robert Morse|Rudy Vallee | F Major | 2 | 7B | 139 BPM | ||
| My Eyes Are Fully Open | The Pirates Of Penzance | A♭ Major | 5 | 4B | 117 BPM |