Hortense Ellis's ' "Midnight Train (Take 1) (with Duke Reid's Group)" was released on its scheduled release date, June 22, 2022. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Midnight Train (Take 1) (with Duke Reid's Group)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Midnight Train (Take 1;with Duke Reid's Group) and no other songs are present in the album, we classify this track as a single. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Midnight Train (Take 1) (with Duke Reid's Group)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Midnight Train (Take 1) (with Duke Reid's Group) by Hortense Ellis to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cheating and Lying | The Silvertones | F Major | 5 | 7B | 148 BPM | ||
| Lonely Man | Keith & Tex, Tex | B♭ Major | 2 | 6B | 82 BPM | ||
| Baby I'll Be Yours | The Gaylads | C Minor | 6 | 5A | 130 BPM | ||
| Be Ever Wonderful | Hortense Ellis | C Major | 2 | 8B | 165 BPM | ||
| Don't Look Back | Keith & Tex, Tex | A♭ Minor | 6 | 1A | 82 BPM | ||
| The Little That You Have | Justin Hinds & The Dominoes | C Minor | 4 | 5A | 84 BPM | ||
| Never Let Go | Carlton & The Shoes | F Major | 6 | 7B | 77 BPM | ||
| Endless Memory | Roy Panton, Friends | E♭ Minor | 4 | 2A | 86 BPM | ||
| Dollars And Bonds | Lloyd Charmers | E♭ Major | 6 | 5B | 112 BPM | ||
| Giving | The Aggrovators | G Major | 4 | 9B | 84 BPM | ||
| Crying Every Night | Stranger Cole | C Major | 6 | 8B | 82 BPM | ||
| Rocking Sensation | Delano Stewart | G Major | 6 | 9B | 83 BPM | ||
| Hello Stranger | Brown Sugar | B Major | 6 | 1B | 94 BPM | ||
| Woman of the Ghetto | Hortense Ellis | A♭ Major | 4 | 4B | 92 BPM | ||
| Dreadlocks In Moonlight | Lee "Scratch" Perry | G Major | 4 | 9B | 131 BPM | ||
| ABC Rocksteady | The Gaylads | B♭ Major | 4 | 6B | 79 BPM | ||
| My Conversation | The Uniques | D♭ Major | 3 | 3B | 85 BPM | ||
| Yo Yo | Marie Bowie, K.C. White, Hortense Ellis | A♭ Major | 7 | 4B | 75 BPM | ||
| A Change Gonna Come | Ken Parker | A Minor | 2 | 8A | 81 BPM | ||
| I Can't Stand The Rain/ Same Complaint | Hortense Ellis, Prince Weedy | A♭ Major | 7 | 4B | 88 BPM | ||
| Please Be True | Alexander Henry | B♭ Minor | 5 | 3A | 78 BPM | ||
| Tougher Than Tough | I-Roy | B♭ Minor | 8 | 3A | 146 BPM | ||
| I Am Your Puppet | Jimmy London | B♭ Minor | 2 | 3A | 84 BPM | ||
| Congratulations | Susan Cadogan | C Major | 5 | 8B | 108 BPM | ||
| Oh Me Oh My | Jerry Jones | D♭ Major | 6 | 3B | 150 BPM |