"Radetzky Marsch, Op. 228" by Johann Strauss I, André Rieu, Johann Strauss Orchestra had its release date on January 1, 2004. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in André Rieu, Johann Strauss Orchestra's "Le Monde en Fête" album is number 5 out of 18. On top of that, Germany appears to be the country where this track was created. Radetzky Marsch, Op. 228 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Radetzky Marsch, Op. 228 by Johann Strauss I, André Rieu, Johann Strauss Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wiener Blut: Overture: Wiener Blut (Vienna Blood), Op. 354 | Strauss Festival Orchestra, Johann Strauss II | C Major | 1 | 8B | 178 BPM | ||
| Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
| Radetzky-Marsch, Op. 228 | Johann Strauss I, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 107 BPM | ||
| La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
| Der Freischütz, J. 277, Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 5 | 11B | 91 BPM | ||
| 8 Slavonic Dances, Op.46, B.83: No.2 in E Minor (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 138 BPM | ||
| En El Bello Danubio Azul | George Henkla | D Major | 2 | 10B | 104 BPM | ||
| Carmen Suite No. 1: 2. Aragonaise | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 0 | 7A | 120 BPM | ||
| " Wilhelm Tell " : Overture | Pro Musica Symphony Orchestra Hamburg, Pietro des Monaco | B Major | 7 | 1B | 82 BPM | ||
| Orphée aux enfers: Can-can (Featured in "Peter's Friends") | Jacques Offenbach, Slovak State Philharmonic Orchestra, Johannes Wildner | D Major | 4 | 10B | 146 BPM | ||
| Knall und Fall, Polka-schnell, Op. 132 | Vienna Walzer Orchestra, Sandro Cuturello | G Major | 5 | 9B | 89 BPM | ||
| Wine, Women and Song | George Henkla | F Major | 2 | 7B | 182 BPM | ||
| Jeu d'Esprit, Polka, Op. 196 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 4 | 10B | 174 BPM | ||
| Strauss I, J: Radetzky-Marsch, Op. 228 | Johann Strauss I, Nikolaus Harnoncourt, Wiener Philharmoniker | A Major | 4 | 11B | 94 BPM | ||
| Grande Valse Viennoise | André Rieu, Frank Steijns, Johann Strauss Orchestra | G Major | 4 | 9B | 85 BPM | ||
| Music For The Royal Fireworks, HWV 351: IV. Allegro "La Réjouissance" | The London Symphony Orchestra & I Fiamminghi | D Major | 6 | 10B | 119 BPM | ||
| La danza delle ore | Radio Symphony Orchestra | E Minor | 1 | 9A | 132 BPM | ||
| Il Barbiere Di Siviglia: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | G Major | 2 | 9B | 136 BPM | ||
| Victoria Galop - 1856 | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 4 | 10B | 144 BPM | ||
| Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
| Triglav, Op. 72 | Julius Fučík, Tschechische Philharmonie, Václav Neumann | G Major | 5 | 9B | 122 BPM | ||
| Tchaikovsky: Romeo and Juliet, Fantasy Overture | Pyotr Ilyich Tchaikovsky, Waldo De Los Ríos, Orquesta Manuel de Falla | C Major | 3 | 8B | 78 BPM | ||
| Voces de primavera, Op. 410 | Orquesta De Conciertos Vienesa, Alfred Scholz | C Minor | 3 | 5A | 175 BPM | ||
| Piefke und Pufke-Polka, Op. 235 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | B♭ Major | 2 | 6B | 87 BPM | ||
| Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM |