Jeremy Pinnell's 'Sweet You' had a release date set for December 11, 2020. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Sweet You's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "SofaBurn, Vol. 2". In this album, this song's track order is #1. Sweet You is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sweet You by Jeremy Pinnell having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clear Picture | Nicholas Jamerson, The Morning Jays | G Major | 5 | 9B | 127 BPM | ||
| White Painted Trees | Dylan Earl | E♭ Major | 6 | 5B | 87 BPM | ||
| Deer in the Sky | Chicago Farmer | F♯ Major | 7 | 2B | 99 BPM | ||
| Louise | The Deslondes, Dan Cutler | A Major | 7 | 11B | 168 BPM | ||
| Hard Out Here | Justin Wells | G Minor | 8 | 6A | 135 BPM | ||
| Coming Down | John R. Miller | A Major | 6 | 11B | 156 BPM | ||
| Long In The Tooth | JP Harris | A Major | 7 | 11B | 121 BPM | ||
| Dallas | Jeremy Pinnell | G Major | 4 | 9B | 96 BPM | ||
| Can't Run out on Me | Mike and the Moonpies | B Major | 6 | 1B | 97 BPM | ||
| Letters on the Marquee | Vincent Neil Emerson | B♭ Major | 5 | 6B | 163 BPM | ||
| Lo-Fi | The Bottle Rockets | D Major | 6 | 10B | 76 BPM | ||
| Until We Meet Again | Kellen Smith | G Major | 6 | 9B | 144 BPM | ||
| Oklahoma Blacktop | Lance Roark | B Minor | 5 | 10A | 182 BPM | ||
| Down Low | Town Mountain | G Major | 5 | 9B | 152 BPM | ||
| Double Nickel | Alex Williams | A♭ Major | 8 | 4B | 174 BPM | ||
| The Way We See Heaven | Jeremy Pinnell | C Major | 6 | 8B | 84 BPM | ||
| Ride On | David Quinn | E Major | 9 | 12B | 128 BPM | ||
| The Way Country Sounds | Jeremy Pinnell | F Major | 5 | 7B | 112 BPM | ||
| Alcohol And Pills | Fred Eaglesmith | F♯ Minor | 4 | 11A | 130 BPM | ||
| Time in Bars | Arlo McKinley | A Major | 5 | 11B | 102 BPM | ||
| 50 Dollars a Week | South Texas Tweek | B♭ Major | 6 | 6B | 76 BPM | ||
| The Only Thing She Left Me Was the Blues | Eleven Hundred Springs | E Major | 7 | 12B | 140 BPM | ||
| Stuff You Can't Refuse | Eleven Hundred Springs | G Major | 7 | 9B | 118 BPM | ||
| Best I Could Do | Jeremy Pinnell | F Major | 5 | 7B | 112 BPM | ||
| Devil's Taxidermy | Willy Tea Taylor, The Fellership | A Minor | 6 | 8A | 145 BPM |