Ruth Etting's 'Now That You're Gone' had a release date set for 1932. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 47 in the song's album "Ruth Etting". In this album, this song's track order is #28. Furthermore, we believe that the track originated from France. Based on our statistics, Now That You're Gone's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Now That You're Gone by Ruth Etting having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| After I Say I`m Sorry | Jean Goldkette | G Major | 1 | 9B | 93 BPM | ||
| I Got Rhythm | Ethel Waters | E♭ Major | 3 | 5B | 97 BPM | ||
| Button up Your Overcoat | Baltimore Bell-Hops | G Major | 4 | 9B | 192 BPM | ||
| Life Is Just a Bowl of Cherries | Jack Hylton & His Orchestra | E Major | 6 | 12B | 78 BPM | ||
| Everybody Loves My Baby | Clarence Williams | E♭ Major | 3 | 5B | 97 BPM | ||
| I Want to Be Bad - Alternate Version | Helen Kane | E♭ Major | 3 | 5B | 97 BPM | ||
| Never Hitch Your Wagon to a Star | Henry Hall, The BBC Dance Orchestra | B♭ Major | 2 | 6B | 96 BPM | ||
| The One Rose (That's Left In My Heart) | Bea Wain | A♭ Major | 1 | 4B | 180 BPM | ||
| With Plenty Of Money And You | Hal Kemp And His Orchestra | G Minor | 1 | 6A | 184 BPM | ||
| Daddy, Won't You Please Come Home | Annette Hanshaw | C Major | 2 | 8B | 136 BPM | ||
| All Alone Monday (Recorded October 1926) | Esther Walker | E♭ Major | 1 | 5B | 172 BPM | ||
| When You're In Love | Russ Columbo | E♭ Major | 2 | 5B | 110 BPM | ||
| The House Is Haunted | Russ Columbo | E♭ Minor | 2 | 2A | 82 BPM | ||
| Blondy | Jack Purvis, Smith Ballew and His Orchestra | B♭ Major | 3 | 6B | 97 BPM | ||
| You May Be Fast, But You Won't Last | Marion Harris | E♭ Major | 3 | 5B | 97 BPM | ||
| Stop Myself from Worryin' Over You | Ethel Waters | F Minor | 1 | 4A | 64 BPM | ||
| It Was a Lover and His Lass | Maxine Sullivan | B♭ Major | 0 | 6B | 108 BPM | ||
| He's So Unusual | Helen Kane | E♭ Major | 3 | 5B | 97 BPM | ||
| Me and the Man in the Moon | Helen Kane | E♭ Major | 3 | 5B | 97 BPM | ||
| Looking at You | Lee Wiley | E♭ Major | 3 | 5B | 97 BPM | ||
| And Her Tears Flowed Like Wine | Stan Kenton & His Orchestra, Anita O'Day | C Major | 4 | 8B | 145 BPM | ||
| Easy Come, Easy Go | Ruth Etting | E♭ Major | 3 | 5B | 97 BPM | ||
| Girl of My Dreams (Recorded April 1928) | Gene Austin | B Major | 2 | 1B | 86 BPM | ||
| Cry, Baby, Cry | Larry Clinton, Bea Wain | F Major | 3 | 7B | 97 BPM | ||
| Jeepers Creepers | Ethel Waters | E♭ Major | 3 | 5B | 97 BPM |