"Don't Come To LA" by Pierre Charles had its release date on December 2, 2025. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Don't Come To LA's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Sean Combs: The Reckoning (Soundtrack from the Netflix Documentary Series)". In this album, this song's track order is #16. In terms of popularity, Don't Come To LA is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Don't Come To LA by Pierre Charles having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 8:00 A.M. | Gavin Brivik | B Minor | 1 | 10A | 73 BPM | ||
| Consequences | Andrew Lockington | D Major | 4 | 10B | 96 BPM | ||
| There Is Where I Want To Work | Nathan Micay | D Minor | 3 | 7A | 120 BPM | ||
| Cleanse | Jed Kurzel | F Major | 2 | 7B | 66 BPM | ||
| The Rooftop | Pierre Charles | C Minor | 1 | 5A | 102 BPM | ||
| Barbosa Chillin | Torin Borrowdale | A Major | 2 | 11B | 81 BPM | ||
| Lost in Time | Duskyfi | B♭ Major | 0 | 6B | 170 BPM | ||
| Autopsy Results | Johannes Ringen | C Minor | 0 | 5A | 73 BPM | ||
| FEMA Camp | David Buckley | G Major | 2 | 9B | 86 BPM | ||
| A Rose-Red City | Lavinia Concia | C Major | 2 | 8B | 120 BPM | ||
| Red Barrette | Thomas Newman | E Major | 0 | 12B | 78 BPM | ||
| Chasse | Séverin Favriau | A Major | 2 | 11B | 120 BPM | ||
| Take Your Time | Dickon Hinchliffe | E Minor | 0 | 9A | 76 BPM | ||
| Money Game | Pierre Charles | F♯ Major | 3 | 2B | 124 BPM | ||
| Birdman | Colin Chin | D Minor | 1 | 7A | 115 BPM | ||
| Silence On The Heath | Dan Romer | F Major | 1 | 7B | 78 BPM | ||
| Deathwatch Main Theme | Danny Bensi and Saunder Jurriaans, Chase Deso | D Minor | 1 | 7A | 132 BPM | ||
| Framed | Colin Chin | A♭ Minor | 3 | 1A | 170 BPM | ||
| Dialed In | Danny Bensi and Saunder Jurriaans | A Minor | 0 | 8A | 65 BPM | ||
| Pandora | Martin Madrazo, Martin Lamo | G Minor | 3 | 6A | 105 BPM | ||
| Life Is Fleeting | Tim Despic | B Major | 3 | 1B | 60 BPM | ||
| Into the Woods | Abel Korzeniowski | E Minor | 2 | 9A | 119 BPM | ||
| Quagmire | David Schweitzer | A♭ Major | 3 | 4B | 95 BPM | ||
| Three Doctors | Andrew Lockington | F Minor | 1 | 4A | 81 BPM | ||
| Terms of Weakness | Federico Jusid | B Minor | 1 | 10A | 73 BPM |