12 Concerti grossi, No. 3 in C Minor, Op. 6: II. Allegro by Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla Song Details

Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla's ' "12 Concerti grossi, No. 3 in C Minor, Op. 6: II. Allegro" was released on its scheduled release date, December 1, 2014. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 63 in Corelli: 12 Concerti Grossi Op.6 by Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. In terms of popularity, 12 Concerti grossi, No. 3 in C Minor, Op. 6: II. Allegro is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

The tempo marking of 12 Concerti grossi, No. 3 in C Minor, Op. 6: II. Allegro by Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.

Music Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 5%
Loudness: -24.291 dB
Acousticness: 96%
Danceability: 51%
Energy: 4%
Instrumentalness: 1%
Liveness: 10%
Loudness: 60%
Speechiness: 5%
Valence: 48%

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