Gopal Rai's ' "Maangat Baani Poora Hum Ta" was released on its scheduled release date, May 28, 1998. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 8 in Dahele Sanwarki by Gopal Rai. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Maangat Baani Poora Hum Ta's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Maangat Baani Poora Hum Ta by Gopal Rai is Allegro (fast, quick, and bright), since this song has a tempo of 151 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ab Utho Bhavani Maihar Wali | Yuvraj Pandey | F Minor | 8 | 4A | 172 BPM | ||
| Chhot Chhot Rodi Gade Yae | Kunj Bihari Mishr | F♯ Major | 8 | 2B | 136 BPM | ||
| Sanwariyo Aade Aavego | Sanjay Mittal | C Major | 7 | 8B | 140 BPM | ||
| Duniya Ka Bada Sataya Hoon | Shresth Dixit | D♭ Major | 4 | 3B | 78 BPM | ||
| Bhomiya Ho Raja | Bhoma Ram Panwar | C Minor | 9 | 5A | 112 BPM | ||
| Naina Har Havay Kajarli | Gorelal Barman, Ratan Sabiha | F♯ Minor | 8 | 11A | 76 BPM | ||
| Banno Mharo Char Bhuja Ro Nath | Sukhdev Bharti | A♭ Major | 8 | 4B | 122 BPM | ||
| Kai Karsi Re Mharo Kai Karsi | Radha Krishna Maharaj | F Minor | 7 | 4A | 155 BPM | ||
| Kashi Vishwanath Gange | Lalit Mastana | C Major | 8 | 8B | 80 BPM | ||
| Ab Naa Charaayi Goru | Gopal Rai | G Major | 5 | 9B | 122 BPM | ||
| Chal Turi Chal Turi | Mithlesh Sahu, Alka Chandrakar | F♯ Major | 8 | 2B | 136 BPM | ||
| Kahi Ri Yashoda Tere | Sunil Sargam, Shivani Sargam | A♭ Minor | 8 | 1A | 82 BPM | ||
| Vahe Purvaiya Sihravan Laage Ji | Bharat Sharma Vyas | G Major | 5 | 9B | 169 BPM | ||
| Sanwariya Khinche Dor | Udit Narayan | C Minor | 6 | 5A | 94 BPM | ||
| Angna Main Kuiyaan Raja | Deshraj Patairiya, Urmila Pandey | F Minor | 7 | 4A | 76 BPM | ||
| Deewana Machal Raha | Manoj Sharma Gwalior | D♭ Minor | 6 | 12A | 146 BPM | ||
| Asta Duniyecha Tu Deva Vali (Shaktiwale Stawan) | Prakash Pajane, Madhukar Yadav | A♭ Minor | 9 | 1A | 92 BPM | ||
| Leke Suteele Takiyewa | Guddu Rangila | F Major | 8 | 7B | 85 BPM | ||
| Dhaniya Ho Sewa Kariha | Madan Rai | A♭ Major | 5 | 4B | 155 BPM | ||
| Radha Ras Gaane Ko | Premanand Maharaj Ji, Sonu Yadav | E Minor | 4 | 9A | 136 BPM | ||
| Dheere - Dheere Khol Ae Sevak | Guddu Rangila | D♭ Minor | 9 | 12A | 84 BPM | ||
| Mera Dil To Deewana Ho Gaya Re | Manoj Sharma Gwalior | A♭ Major | 8 | 4B | 89 BPM | ||
| Aati Konya Maut | Satpal Dosa, Mainpal Baseda | G Major | 7 | 9B | 135 BPM | ||
| Tere Bhawan Mein Jaga Diye | Narendra Kaushik | D♭ Minor | 10 | 12A | 87 BPM | ||
| Jula Jule Re Kanahiyo | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM |