Ranjit Mani's ' "Raati Neend Na Aaundi" was released on its scheduled release date, January 29, 2025. This song is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. The track order of this song in Ranjit Mani's "Kuri Punjaban" album is number 2 out of 8. On top of that, India appears to be the country where this track was created. Raati Neend Na Aaundi is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Raati Neend Na Aaundi by Ranjit Mani to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chalne Gandase | Hakam Bakhtarwala, Daljeet Kaur | D♭ Minor | 9 | 12A | 99 BPM | ||
| Nachdhey | RDB, Ranjit Mani | F♯ Major | 6 | 2B | 130 BPM | ||
| Gal Te Gulabi Rang Launa | Yudhveer | D♭ Minor | 7 | 12A | 152 BPM | ||
| Dil Holi Holi Samje Ga | Harbhajan Shera | E♭ Minor | 5 | 2A | 135 BPM | ||
| Lok Boliyan | SHAMSHER CHEENA | D♭ Major | 9 | 3B | 82 BPM | ||
| Telephone | Anmol Virk | B Minor | 8 | 10A | 130 BPM | ||
| Mehbooba | Sukhwinder Sukhi | A Major | 10 | 11B | 114 BPM | ||
| Ni Amali Di Jind Bach Jau | Bhupinder Gill, Miss Neelam | D♭ Major | 9 | 3B | 171 BPM | ||
| Akh Ladh Gayi | Banny A | G Minor | 8 | 6A | 89 BPM | ||
| Shak Kariya Na Kar | Anmol Virk | F♯ Major | 10 | 2B | 146 BPM | ||
| Yaari - Tutdi Jinadi Yaari | Jassi Sohal | C Major | 9 | 8B | 90 BPM | ||
| Chharha Jeth Jhandi Le Gaya | Avtar Chamak, Aman Jot | A♭ Major | 8 | 4B | 182 BPM | ||
| Holi Holi Waj Geya | Harjit Sidhu | D♭ Major | 10 | 3B | 104 BPM | ||
| ADHA MERA | Zorawar Ali, Albaksh, Deep Kaur Vehniwal | D♭ Major | 9 | 3B | 188 BPM | ||
| Laare Tere Nahi Mukne | Debi Makhsoospuri | D Minor | 6 | 7A | 78 BPM | ||
| Jind Tali Te Tika Ke | Amarjit Nagina, Biba Parm Brar | B♭ Minor | 8 | 3A | 176 BPM | ||
| Arthi Tere Aashaq Dee | Ranjit Mani | A♭ Major | 7 | 4B | 81 BPM | ||
| Kalli Kite Jave Mill | Shinda Shonki | F♯ Minor | 10 | 11A | 170 BPM | ||
| Ki Gal Ho Gayi Mittra | Avtar Chamak, Aman Jot | A♭ Minor | 7 | 1A | 173 BPM | ||
| Punjabi Sher 2.0 | SHAMSHER CHEENA | C Major | 9 | 8B | 91 BPM | ||
| Banke Nagni | Manmohan Waris | D♭ Major | 8 | 3B | 104 BPM | ||
| JA TU MERE WALL HAI | Karamjit Anmol | B Minor | 7 | 10A | 90 BPM | ||
| Gaddi Diyan Jhalra | Avtar Chamak, Biba Harjot | A♭ Major | 7 | 4B | 82 BPM | ||
| Nankeyan Da Pind | Raja Sidhu, Rajvinder Kaur | A Minor | 4 | 8A | 109 BPM | ||
| Iss Umer Chh Jetha | Raja Sidhu, Rajwinder Kaur | A♭ Major | 9 | 4B | 169 BPM |