On 1991, the song "Elvis at the Hop" was released by Tribal Tech. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Tribal Tech". In this album, this song's track order is #6. In terms of popularity, Elvis at the Hop is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Elvis at the Hop by Tribal Tech having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sojlevksa | Tribal Tech | B Minor | 3 | 10A | 139 BPM | ||
| Blues For John | Matteo Mancuso | D♭ Major | 6 | 3B | 115 BPM | ||
| Song Holy Hall | Tribal Tech | G Major | 4 | 9B | 122 BPM | ||
| Oatmeal Bandage | Tal Wilkenfeld | D Major | 9 | 10B | 112 BPM | ||
| Don't Tell Me | Wayne Krantz | A Minor | 5 | 8A | 132 BPM | ||
| Mango Prom | Scott Henderson, Tribal Tech | A♭ Minor | 5 | 1A | 99 BPM | ||
| Dolemite | Scott Henderson | D♭ Major | 9 | 3B | 133 BPM | ||
| Wind Sprint | John Patitucci | F Minor | 5 | 4A | 126 BPM | ||
| Tengoku | Vinnie Colaiuta, Robben Ford, Jimmy Haslip | D Major | 5 | 10B | 90 BPM | ||
| Sweet Nasty | Joshua Redman Elastic Band | B♭ Minor | 8 | 3A | 125 BPM | ||
| Donna Lee | Alain Caron | F Minor | 6 | 4A | 107 BPM | ||
| The Empire | Virgil Donati | G Major | 8 | 9B | 119 BPM | ||
| P.A.C. Man | Alain Caron | C Major | 6 | 8B | 105 BPM | ||
| Cab | Tony MacAlpine, Bunny Brunel, Dennis Chambers | D♭ Minor | 7 | 12A | 130 BPM | ||
| Final Frontier | Chick Corea Elektric Band II, Chick Corea, Eric Marienthal, Jimmy Earl, Gary Novak, Mike Miller | A♭ Major | 7 | 4B | 86 BPM | ||
| Cape Fear | The Dave Weckl Band | B Minor | 7 | 10A | 129 BPM | ||
| Number One | Uzeb | D♭ Major | 3 | 3B | 140 BPM | ||
| Train Song | Vinnie Colaiuta, Robben Ford, Jimmy Haslip | D♭ Major | 5 | 3B | 120 BPM | ||
| Wake Up | The Dave Weckl Band | B Minor | 6 | 10A | 116 BPM | ||
| The Zone | Dave Weckl Band | D Major | 7 | 10B | 102 BPM | ||
| Big Duck | Mark Lettieri | G Major | 8 | 9B | 120 BPM | ||
| Get It Like That | The Aristocrats | D Minor | 6 | 7A | 145 BPM | ||
| Bass In Your Face | Doug Johns | G Major | 9 | 9B | 135 BPM | ||
| In & Out | Alain Caron | A Major | 5 | 11B | 138 BPM | ||
| Come On (feat. Fred Wesley) | Oz Noy, Fred Wesley | G Minor | 7 | 6A | 90 BPM |