Sawan Dutta's ' "Lady Chatterjee, Pt. 1" was released on its scheduled release date, April 8, 1960. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Sawan Dutta's "Lady Chatterjee" album is number 1 out of 10. On top of that, India appears to be the country where this track was created. Based on our statistics, Lady Chatterjee, Pt. 1's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Lady Chatterjee, Pt. 1 by Sawan Dutta to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oh Amaa | Parmita Reang, Swkang Debbarma | C Major | 4 | 8B | 115 BPM | ||
| Saraswati Dwadasha Namavali MantraーRemove All Negativity and Awaken Divine Wisdom | AMANE&SARA | D♭ Major | 2 | 3B | 136 BPM | ||
| Gurudev Chhoru Ame Toh Tamara | SRMD Bhakti | D Major | 2 | 10B | 107 BPM | ||
| Harinaam Mein Kya Bandish | Mukul Dwivedi | A Major | 8 | 11B | 106 BPM | ||
| Yae Paadal Ondru | K. Srinidhi | B♭ Major | 4 | 6B | 133 BPM | ||
| Supreme Blessings Mahamangal Sutta | Pawa | F Minor | 6 | 4A | 80 BPM | ||
| Pelo Shyam | Neema Oza, Swara Oza | C Major | 5 | 8B | 136 BPM | ||
| Payoji | Mysore M. Nagaraj, Pravin Godkhindi | A Major | 8 | 11B | 155 BPM | ||
| Honey Leaves | Niladri Kumar | G Minor | 5 | 6A | 130 BPM | ||
| Chupke Se | Priyesh Vakil | C Major | 7 | 8B | 85 BPM | ||
| Warmth & Togetherness | Phani Narayana, Sai Madhukar | D Major | 5 | 10B | 150 BPM | ||
| Bhagawan Timro | Ani Choying Drolma | G Major | 1 | 9B | 80 BPM | ||
| Hare Krishna Hare Rama - Lullaby Flute Version | Flutewala, Shriram Sampath | G Major | 1 | 9B | 75 BPM | ||
| Anandoloke Mongolaloke | Suman Bhattacharya | D♭ Major | 2 | 3B | 129 BPM | ||
| Ooruko Naa Praanama | Dr. Asher Andrew | F Minor | 4 | 4A | 140 BPM | ||
| Brova Bharama - Instrumental | Prakash Sontakke | C Major | 6 | 8B | 90 BPM | ||
| Gharr | MnA, Kalpit Mathur, Harshal Mathur | B♭ Major | 4 | 6B | 133 BPM | ||
| Sanand Manand Vane Vasantam | Shonali Mishra | B♭ Major | 4 | 6B | 133 BPM | ||
| Vakratunda Mahakaye | Rajat Kumar, Rashika Chauhan, Sakshi Gupta | B Major | 3 | 1B | 70 BPM | ||
| Ami Notun Kore Tomake | Nitu Bala | A♭ Major | 8 | 4B | 79 BPM | ||
| Namami Shamishan (Rudrashtakam Shiv Stotram) | Dhyan | B♭ Major | 4 | 6B | 133 BPM | ||
| Khela Ghor Bandhte Legechi - Instrumental | Ajoy Mitra | F Major | 2 | 7B | 120 BPM | ||
| Romantic Folk - Instrumental | Ramachandra Murthy, Sai Madhukar | D Major | 4 | 10B | 120 BPM | ||
| Pahadi Dhun - Alap | Pandit Shivkumar Sharma | F Minor | 2 | 4A | 58 BPM | ||
| Mandir at Saffron Hour | Anura Bansuri | B♭ Major | 4 | 6B | 133 BPM |