Ray Brown's 'Ellington Medley' had a release date set for September 1, 1994. This song appears to be safe for all ages as it is not explicit. The song is number 9 out of 9 in Don't Get Sassy by Ray Brown. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Ellington Medley is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Ellington Medley by Ray Brown is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love Roots | Mary Lou Williams | C Major | 3 | 8B | 75 BPM | ||
| Lover Man | Howard Roberts | D Minor | 2 | 7A | 114 BPM | ||
| Blues for Beverlee | Junior Mance | C Major | 2 | 8B | 65 BPM | ||
| Two Degrees East, Three Degrees West | John Lewis | D Minor | 1 | 7A | 130 BPM | ||
| There Will Never Be Another You | Jimmy Raney | B♭ Minor | 4 | 3A | 111 BPM | ||
| Bags Groove | Ray Brown | C Major | 2 | 8B | 116 BPM | ||
| Take The A Train | Ray Brown | C Major | 2 | 8B | 164 BPM | ||
| Let's Call This | Cedar Walton | E♭ Major | 1 | 5B | 86 BPM | ||
| Put Your Little Foot Right Out | Monty Alexander, Ray Brown, Herb Ellis | C Major | 4 | 8B | 140 BPM | ||
| On a Slow Boat to China | Sonny Stitt Quartet, Jimmy Jones | B♭ Major | 3 | 6B | 170 BPM | ||
| Sister Sadie | Ray Brown | C Major | 2 | 8B | 184 BPM | ||
| My Funny Valentine | Art Farmer & Benny Golson Jazztet | C Minor | 0 | 5A | 115 BPM | ||
| The End Of A Love Affair | Wes Montgomery Trio | D♭ Major | 2 | 3B | 115 BPM | ||
| Chelsea Bridge | Tommy Flanagan Trio | F♯ Major | 3 | 2B | 111 BPM | ||
| Sophisticated Lady | Cedar Walton | B♭ Minor | 1 | 3A | 130 BPM | ||
| I'm Glad There Is You | Marc Hemmeler, Ray Brown | C Major | 0 | 8B | 141 BPM | ||
| Harlequin | John Lewis | C Minor | 2 | 5A | 111 BPM | ||
| Passion Flower | Billy Strayhorn | C Major | 0 | 8B | 134 BPM | ||
| All Of You | Sonny Clark | F Minor | 3 | 4A | 89 BPM | ||
| Twelve-Inch | Curtis Fuller Quintet | G Minor | 2 | 6A | 151 BPM | ||
| Small Fry | Junior Mance | A♭ Major | 2 | 4B | 107 BPM | ||
| Softly As In A Morning Sunrise - Rudy Van Gelder Edition, 2008 Digital Remaster | Paul Chambers Quintet | B♭ Minor | 2 | 3A | 169 BPM | ||
| Crosstown Line | Kenneth James Trio | B♭ Minor | 4 | 3A | 111 BPM | ||
| Sonar | Ray Bryant Trio | F Minor | 3 | 4A | 96 BPM | ||
| Sixth Avenue | Cedar Walton | B♭ Major | 1 | 6B | 78 BPM |