On January 24, 2025, the song "Once Were Flowers" was released by Karl Jannuska. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "The Pull". In this album, this song's track order is #10. Furthermore, we believe that the track originated from France. Based on our statistics, Once Were Flowers's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Once Were Flowers by Karl Jannuska having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Silent Jubilee | Karl Jannuska | F Minor | 2 | 4A | 98 BPM | ||
| Novelo | Felipe Continentino | E♭ Major | 3 | 5B | 146 BPM | ||
| Double the Love | J. Hoard | C Minor | 2 | 5A | 88 BPM | ||
| Yellow Duck | Lucy Mellenfield | C Minor | 2 | 5A | 88 BPM | ||
| Nedgangen | Geir Sundstøl | A♭ Major | 1 | 4B | 84 BPM | ||
| Portals Through To Outer Edges - Regrown | Laura Misch | A Minor | 1 | 8A | 110 BPM | ||
| Real | Chantal Acda, Bruno Bavota, Adam Wiltzie, Beatrijs De Klerck, Pavel Karlik, Gerd Van Mulders, Phill Brown, Niels Van Heertum | C Minor | 2 | 5A | 88 BPM | ||
| The Man Who Wasn't There | Tessa Rose Jackson | C Minor | 2 | 5A | 88 BPM | ||
| Cold Stone | Katie Spencer | D Minor | 2 | 7A | 105 BPM | ||
| Now Is Someday | Rachel Brashear | D♭ Major | 2 | 3B | 113 BPM | ||
| Beaux dommages | Vincent Bourgeyx, Karl Jannuska | F♯ Minor | 2 | 11A | 72 BPM | ||
| The Depths | Bruno Schorp, Ben Wendel, Tony Paeleman, Karl Jannuska, Olivier Calmel | B Minor | 2 | 10A | 78 BPM | ||
| The City, poem | Bianca Steck | D Major | 2 | 10B | 179 BPM | ||
| I Should Say | Raina Sokolov-Gonzalez | C Minor | 5 | 5A | 133 BPM | ||
| Blues Minor | Dal Sasso Big Band, Christophe Dal Sasso, Karl Jannuska, Géraldine Laurent, Thomas Savy | A♭ Major | 3 | 4B | 91 BPM | ||
| You Deserve It! | Voka Gentle | C Minor | 2 | 5A | 88 BPM | ||
| Magnificent (She Says) | Yuri Honing, Yuri Honing's Peace Orchestra, Remy Van Kesteren, Tony Overwater, Yoràn Vroom, Ella Zirina | D Minor | 2 | 7A | 136 BPM | ||
| Song of the Underground Railroad | Dal Sasso Big Band, Christophe Dal Sasso, David El-malek, Karl Jannuska | A♭ Major | 3 | 4B | 91 BPM | ||
| Wearing Words | Emily Wittbrodt | C Minor | 2 | 5A | 88 BPM | ||
| Swallow Me | Ferdinando Arno, Giorgio Cocilovo, Marco Decimo, Melanie De Biasio | C Major | 2 | 8B | 178 BPM | ||
| See | midori jaeger | D♭ Major | 2 | 3B | 95 BPM | ||
| Eye For An Eye | Gemma Hayes | C Minor | 3 | 5A | 112 BPM | ||
| Pisew Falls | Karl Jannuska | A♭ Major | 5 | 4B | 90 BPM | ||
| This Is My Letter to the World | In The Country, Solveig Slettahjell, Knut Reiersrud | F Major | 5 | 7B | 121 BPM | ||
| The color blue | Christina Galisatus | C Minor | 2 | 5A | 88 BPM |