On 1966, the song "Call Me" was released by Walter Wanderley. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Call Me's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Rain Forest". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Call Me is average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Call Me by Walter Wanderley having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elusive Butterfly | Boots Randolph | C Major | 6 | 8B | 123 BPM | ||
| Beachcomber | Peter Winslow | A Minor | 4 | 8A | 108 BPM | ||
| Perfidia | Billy May | F Major | 3 | 7B | 118 BPM | ||
| Il Cerchio Rosso | Nicola Conte | G Major | 9 | 9B | 194 BPM | ||
| Good Night Sweetheart | Enoch Light | C Major | 5 | 8B | 90 BPM | ||
| Reza | Tamba Trio | D♭ Major | 7 | 3B | 93 BPM | ||
| O Ganso | Walter Wanderley Trio | C Major | 7 | 8B | 98 BPM | ||
| The Girl From U.N.C.L.E. | Dave Grusin | E Minor | 3 | 9A | 79 BPM | ||
| Melvalita | Dave Pike | C Major | 2 | 8B | 137 BPM | ||
| At the Tiki Bar | Kenny Sasaki & The Tiki Boys | D♭ Major | 5 | 3B | 124 BPM | ||
| Blue Island | Luiz Henrique, Walter Wanderley | B Minor | 3 | 10A | 141 BPM | ||
| Illeana's Theme | Sid Ramin | C Major | 3 | 8B | 125 BPM | ||
| Polynesian Village Love Theme | The Tikiyaki Orchestra | E Minor | 4 | 9A | 98 BPM | ||
| Leisure Complex | Gordon Rees, David Gold | C Major | 4 | 8B | 67 BPM | ||
| Brazil (From "The Eddy Duchin Story”, 1956 Film Score) | Carmen Cavallaro | C Major | 4 | 8B | 133 BPM | ||
| Alone at Last | Syd Dale | F♯ Major | 5 | 2B | 120 BPM | ||
| Sweet Surrender | Duncan Lamont | C Minor | 2 | 5A | 89 BPM | ||
| Perdido | Billy May & His Orchestra | C Minor | 3 | 5A | 121 BPM | ||
| Odds on | Frank McDonald, Chris Rae, De Wolfe Music | A Minor | 4 | 8A | 169 BPM | ||
| Tristeza | Astrud Gilberto, Walter Wanderley | C Minor | 6 | 5A | 100 BPM | ||
| Baia | Walter Wanderley | D Minor | 5 | 7A | 173 BPM | ||
| Don't Pass - Remastered | Michael Naura, Wolfgang Schlüter, Gerhard Narholz | C Major | 1 | 8B | 92 BPM | ||
| Fly Me to the Moon | Enoch Light | C Major | 5 | 8B | 90 BPM | ||
| Sunday Theme | Alessandro Alessandroni | G Major | 6 | 9B | 94 BPM | ||
| Deep Night/Softly As In A Morning Sunrise - Medley | Terry Snyder & The All-Stars | F♯ Major | 4 | 2B | 113 BPM |