Deep Shrestha's ' "Ma Ta Tada Tada" was released on its scheduled release date, November 3, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Pooja". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Norway. Based on our statistics, Ma Ta Tada Tada's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Ma Ta Tada Tada by Deep Shrestha having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ghumti Ma Na Aau Hai | Premdhoj Pradhan | E♭ Major | 5 | 5B | 156 BPM | ||
| Choli Ramro (Instrumental) | Shila Bahadur Moktan, Kunti Moktan | F♯ Major | 6 | 2B | 145 BPM | ||
| Rato Ra Chandra Surya | Phatteman | G Major | 5 | 9B | 155 BPM | ||
| Bidesh Jane Mayalu - Reprise | Deepak Thapa | G Major | 6 | 9B | 140 BPM | ||
| Aanshu Haru | Ratna Shrestha, Deep Shrestha | B Major | 5 | 1B | 80 BPM | ||
| Aadhi Bato Hindepachhi | Manila Sotang (Lama), Uday Shotang | A♭ Minor | 6 | 1A | 102 BPM | ||
| Bhedhi Gothaima | KANDARA | F♯ Minor | 6 | 11A | 78 BPM | ||
| Manchheko Maya | Narayan Gopal, Gyanu Rana | D♭ Minor | 3 | 12A | 81 BPM | ||
| Sworga Ki Pari | Bhuwan Suptihang Rai, Deep Shrestha | C Minor | 7 | 5A | 110 BPM | ||
| Sachirakhu Jasto Lagchha | Bharati Ghimire, Kumar Sanu | G Major | 7 | 9B | 79 BPM | ||
| Ghumti Ma Naau Hai | Prem Dhoj Pradhan | D Major | 3 | 10B | 139 BPM | ||
| Mero Ta Sabai Pida | Deep Shrestha | B Major | 6 | 1B | 87 BPM | ||
| Ekanta | Karma Band | D Major | 4 | 10B | 127 BPM | ||
| Ma Ta Aba Risauchhu | Kumar Sanu | B Minor | 7 | 10A | 81 BPM | ||
| Ghamailo Ramilo | Ram Krishna Dhakal, Deepa jha | F♯ Major | 6 | 2B | 115 BPM | ||
| Ma Pyar Bechidinchhu | Asha Bhosle | A Major | 7 | 11B | 165 BPM | ||
| Tal Tal Talkine (From "Bir Bikram") | Rajesh Payal Rai, Anila Rai, Tara Prakash Limbu | G Major | 6 | 9B | 80 BPM | ||
| Reshamle Chhopera | Raju Bagdas, Gulam Ali | C Major | 6 | 8B | 73 BPM | ||
| Paschim Pokhara (From "Mr. Ram Krishne) | Umesh Pandey, Devika Bandana, Shambhujeet Baskota | B♭ Minor | 9 | 3A | 104 BPM | ||
| Galti Hajar | TVON, Deep Shrestha | B♭ Major | 5 | 6B | 128 BPM | ||
| Sapana Lai Angalera | Deep Shrestha | F Major | 7 | 7B | 180 BPM | ||
| Gajalu Tika | Raju Lama-mongolian Heart | E Major | 7 | 12B | 147 BPM | ||
| Swarthi Cha | Deep Shrestha | D Major | 5 | 10B | 100 BPM | ||
| Udda Uddai | Amrit Gurung | D♭ Major | 5 | 3B | 151 BPM | ||
| Jati Heryo Uti Heroon | Mohan Bhusal | A Major | 9 | 11B | 148 BPM |