"Traditional: Deep River" by Harry Burleigh, Paul Robeson, Ernest Irving Orchestra with Chorus had its release date on July 18, 2008. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Traditional: Deep River's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 170 in the song's album "Paul Robeson: The Complete EMI Sessions 1928-1939". In this album, this song's track order is #25. Based on our statistics, Traditional: Deep River's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Traditional: Deep River by Harry Burleigh, Paul Robeson, Ernest Irving Orchestra with Chorus having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bread and Roses | Bobbie McGee | B♭ Major | 1 | 6B | 121 BPM | ||
| We're All Dodgin' | The Weavers | D Major | 5 | 10B | 104 BPM | ||
| Now Is the Cool of the Day | Jean Ritchie | B♭ Minor | 2 | 3A | 132 BPM | ||
| Golden Vanity | Chad Mitchell Trio | C Major | 4 | 8B | 121 BPM | ||
| Coming In On A Wing And A Prayer | Anne Shelton | E♭ Major | 3 | 5B | 105 BPM | ||
| The Frozen Logger | The Weavers | E♭ Major | 3 | 5B | 72 BPM | ||
| Scotland The Brave | Kenneth McKellar | D♭ Major | 1 | 3B | 95 BPM | ||
| Don't Bite The Hand That's Feeding You | Walter Van Brunt | E♭ Minor | 3 | 2A | 124 BPM | ||
| The First Time Ever I Saw Your Face | Ewan MacColl, Peggy Seeger | D Major | 0 | 10B | 141 BPM | ||
| Spanish Ladies | Paul Clayton | D Major | 1 | 10B | 171 BPM | ||
| Remember The Alamo | The Kingston Trio | F♯ Major | 4 | 2B | 170 BPM | ||
| Little Boxes | Pete Seeger | F Major | 2 | 7B | 121 BPM | ||
| Let's Face the Music and Dance | Fred Astaire | G Major | 2 | 9B | 85 BPM | ||
| I'll Fly Away | The Kossoy Sisters | G Major | 4 | 9B | 98 BPM | ||
| Yankee Doodle Dandy | James Cagney | E Major | 7 | 12B | 73 BPM | ||
| Three Little Maids from School Are We | The West End Performers | C Major | 3 | 8B | 125 BPM | ||
| How Stands the Glass Around | John Townley | D Minor | 2 | 7A | 127 BPM | ||
| When I Die | Peter Bellamy | E♭ Minor | 2 | 2A | 41 BPM | ||
| Dark as the Dungeon | Cisco Houston | G Major | 0 | 9B | 105 BPM | ||
| Battle Hymm of the Republic | 97th Regimental String Band | C Major | 3 | 8B | 102 BPM | ||
| Lili Marlene (From "Seven Sinners") | Marlene Dietrich | E♭ Major | 1 | 5B | 116 BPM | ||
| Oh, How Proud Our Quiet Don | Paul Robeson, Lawrence Brown | D Minor | 0 | 7A | 84 BPM | ||
| Moonlight Bay | American Quartet | E♭ Major | 1 | 5B | 116 BPM | ||
| Remember Me | Phil Ochs | C Minor | 3 | 5A | 116 BPM | ||
| Londonderry Air | John McCormack, Edwin Schneider | E Major | 1 | 12B | 103 BPM |