Ranbir, Narendar, Baiswal, Pale Ram, Baali Sharma's ' "Chal Bulayi Part 5" was released on its scheduled release date, March 25, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "New Farmana Competition 99 Vol 4". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. Chal Bulayi Part 5 is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Chal Bulayi Part 5 by Ranbir, Narendar, Baiswal, Pale Ram, Baali Sharma having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Koel Bai | SAZ | B Major | 5 | 1B | 142 BPM | ||
| Sapne Ke Mah | Master Satbeer Singh | A♭ Major | 7 | 4B | 133 BPM | ||
| Sasural Chal Gaya Part 3 | Ranbir, Rakesh, Pale Ram, Sati, Satinder, Birender | F Minor | 7 | 4A | 152 BPM | ||
| Ek Chhore Ka Part 3 | Bali Sharma, Ranbir, Satbir, Pale Ram, Surinder | G Major | 4 | 9B | 78 BPM | ||
| Apne Hatha Mar | Master Satbeer Singh | A♭ Major | 7 | 4B | 133 BPM | ||
| Ye Re Thu Tha Thu Part 7 | Bali Sharma, Ranbir, Satbir, Pale Ram, Surinder | D♭ Major | 2 | 3B | 116 BPM | ||
| Lori (Lullaby for Lord Krishna) | Nomads of Rajashtan | G Major | 9 | 9B | 81 BPM | ||
| Sun Le Piya Na Lage Jiya | Rajender Kharkiya | E Major | 4 | 12B | 136 BPM | ||
| Main Kyu Bhaji Maru Thare Bandhe Prem Ke Pale Main Part -15 | Rajender Singh Kharkiya | F♯ Major | 7 | 2B | 126 BPM | ||
| Halke Vajan Me Part 4 | Rajender Kharakiya, Ranbir, Pale Ram, Bali Sharma | F♯ Minor | 4 | 11A | 132 BPM | ||
| Lac Barash Tak Manas | Master Satbir | F♯ Minor | 4 | 11A | 80 BPM | ||
| Kadam Godi Hat Gayi Part 8 | Surjan chaitanya | G Major | 8 | 9B | 71 BPM | ||
| Wat Wati Jende Sezawaren Dila Chun Kane | Minhaj Mukhtar | A♭ Major | 6 | 4B | 92 BPM | ||
| Batungi Bularo | Rajbala, Nardev, Satte, Narender, Rakesh, Rajender, Anjali, Ranbir, Satpal | G Minor | 9 | 6A | 77 BPM | ||
| Muhnjon Galhiyon Sarenday | Fozia Soomro | B♭ Minor | 6 | 3A | 112 BPM | ||
| Love Songs ll Ghayal Song ll Bevfa Song ll Vishal Dan Gadhvi ll Virah Na Song | Rayka Studio | E Minor | 2 | 9A | 84 BPM | ||
| Sache Patshah De Karne Ne Didaare | Bhai Ranjit Singh Dhadrianwale | B Major | 8 | 1B | 178 BPM | ||
| Bara Saal Mein | Ramesh Kalawadiya | D♭ Major | 4 | 3B | 109 BPM | ||
| Asi Putt Han Guru Gobind Singh De | Bhai Ranjit Singh Dhadrianwale | A Minor | 5 | 8A | 103 BPM | ||
| Pyare Jo Sangi Hai Tero | Bhai Ranjit Singh Dhadrianwale | A♭ Minor | 7 | 1A | 163 BPM | ||
| Re Hum Dere Aale Se | Master Satbir | D♭ Minor | 5 | 12A | 117 BPM | ||
| Mere Bhi A Jayega Rog Part 4 | Bali, Paleram, Satbir, Ranbir | D♭ Major | 8 | 3B | 140 BPM | ||
| 6 Mahine Intzaar Part 3 | Ranbir, Vikash, Virpal, Sunil, Pale Ram | C Minor | 5 | 5A | 90 BPM | ||
| Wo To Samjhadaar Part 8 | Rajender, Satbir, Pale Ram, Ranbir, Bali Sharma | F Major | 4 | 7B | 97 BPM | ||
| Raat Me Jab Part 2 | Surjan chaitanya | G Major | 1 | 9B | 140 BPM |