Miloš Karadaglić's 'About "Let It Be" - Commentary' had a release date set for January 7, 2016. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 15 in Blackbird – The Beatles Album (Commentary) by Miloš Karadaglić. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, About "Let It Be" - Commentary's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of About "Let It Be" - Commentary by Miloš Karadaglić is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM | ||
| Kinderszenen, Op. 15: Träumerei (Arr. Lewin for Guitar) | Robert Schumann, Miloš Karadaglić | D Major | 0 | 10B | 81 BPM | ||
| Ballad for Eli | Avi Avital, Omer Avital, Yonathan Avishai | F Minor | 3 | 4A | 98 BPM | ||
| Trio Sonata in C Major, RV 82: II. Larghetto (Arr. for Guitar by Michael Lewin & James Halliday ) | Antonio Vivaldi, Miloš Karadaglić, Arcangelo, Jonathan Cohen | D Major | 2 | 10B | 142 BPM | ||
| 3 Songs, Op. 7: I. Après un rêve (Version for Violin and Piano) | Gabriel Fauré, María Dueñas, Itamar Golan | D Major | 1 | 10B | 87 BPM | ||
| Romance (Arr. J. Williams for Guitar & Orchestra) | Traditional, John C. Williams, William Goodchild, String Orchestra | E Major | 1 | 12B | 119 BPM | ||
| 5 Preludes, W419, A419: No. 3 in A Minor (Homage to Bach) | Heitor Villa-Lobos, Sean Shibe | A Minor | 0 | 8A | 79 BPM | ||
| 6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
| Una limosna por el amor de Dios | Miloš Karadaglić | E Major | 1 | 12B | 85 BPM | ||
| Gabriel's Oboe (From "The Mission") | Ennio Morricone, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | D Major | 2 | 10B | 86 BPM | ||
| Cancion de cuna | Leo Brouwer, Vicente Coves | A Minor | 0 | 8A | 147 BPM | ||
| 3 Romances, Op. 11: No. 1, Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
| Keyboard Sonata in F Minor, Kk. 466 - Upright Version | Domenico Scarlatti, Julius Asal | E♭ Major | 0 | 5B | 68 BPM | ||
| No. 4, Songs My Mother Taught Me (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | G Major | 0 | 9B | 70 BPM | ||
| Satie: Gnossiennes: IV. Lent | Erik Satie, Hélène Grimaud | C Major | 0 | 8B | 96 BPM | ||
| Après un rêve, Op. 7, No. 1 | Gabriel Fauré, Yo-Yo Ma | F Minor | 0 | 4A | 115 BPM | ||
| Piazzolla: Oblivion | Julian Lloyd Webber, John Lenehan | D Minor | 0 | 7A | 81 BPM | ||
| Barrios Mangoré: Una limosnita por el amor de Dios | Agustín Barrios Mangoré, Thibaut García | D Major | 0 | 10B | 84 BPM | ||
| Rodrigo: Concierto de Aranjuez: II. Adagio (Excerpt) | Joaquín Rodrigo, Julian Bream, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | C Major | 1 | 8B | 64 BPM | ||
| Lascia Ch'io Pianga | William Wilson | F Major | 0 | 7B | 69 BPM | ||
| Bagatelles I-XIII: Bagatelle I | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 135 BPM | ||
| Concierto de Aranjuez: II. Adagio [Excerpt] | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of Europe | B Minor | 0 | 10A | 76 BPM | ||
| Lagrima : Lagrima | Norbert Kraft | E Major | 0 | 12B | 76 BPM | ||
| Autumn Leaves | Joseph Kosma, Gautier Capuçon, Jerome Ducros | A Minor | 3 | 8A | 104 BPM | ||
| Francisco Tárrega: Recuerdos De La Albambra | Julian Bream | A Major | 2 | 11B | 149 BPM |