Nikolay Filipovich's ' "Clash of Convictions" was released on its scheduled release date, February 1, 2024. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Clash of Convictions's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Warhammer 40,000: Rogue Trader (Original Soundtrack) by Various Artists. The song's track number on the album is #57 out of 69 tracks. In terms of popularity, Clash of Convictions is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Clash of Convictions by Nikolay Filipovich has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Clash of Convictions being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Descent to Averno | The Forever Winter | B♭ Minor | 6 | 3A | 122 BPM | ||
| Grieving Rockgiant | Alex Roe | E♭ Minor | 2 | 2A | 140 BPM | ||
| When It All Went to Hell | David García Díaz, STFUR | F Major | 7 | 7B | 130 BPM | ||
| Passage of Monuments | Bear McCreary | G Minor | 7 | 6A | 152 BPM | ||
| No More Trick Shots (Pirates) | Scott Buckley | G Minor | 7 | 6A | 152 BPM | ||
| Tau Attack | Officio Audiorum | D♭ Major | 5 | 3B | 120 BPM | ||
| The Lord Inquisitor (from the Original Motion Picture Soundtrack) | Adam Harvey | D Minor | 5 | 7A | 138 BPM | ||
| Beast of the Frozen Mountain | Lee Jaekwang (NEOPLE) | F♯ Major | 8 | 2B | 82 BPM | ||
| My Fate | David García Díaz, RashDash | G Minor | 1 | 6A | 78 BPM | ||
| Fighting Phase | Lauren Pham | A Minor | 6 | 8A | 120 BPM | ||
| The Sword of Ashfeld | Luc St-Pierre | B Minor | 3 | 10A | 64 BPM | ||
| GRIME | Alex Roe | B♭ Minor | 4 | 3A | 135 BPM | ||
| The Twice Ordained Phase 1 | Knut Avenstroup Haugen, The Budapest Scoring Orchestra and Choir | A♭ Major | 1 | 4B | 91 BPM | ||
| Hysteria | Max LL | C Major | 8 | 8B | 127 BPM | ||
| Hidden in the dark | Dark Fantasy Studio | C Major | 4 | 8B | 94 BPM | ||
| Wrath of the Lost | Pawel Perepelica | G Major | 9 | 9B | 128 BPM | ||
| Fiery Malice | Cris Velasco, The Budapest Scoring Orchestra and Choir | F Minor | 6 | 4A | 125 BPM | ||
| Steel Meeting Bone | Venus Theory | D♭ Major | 4 | 3B | 82 BPM | ||
| Legionnaire | Tempest Rising Original Soundtrack | D♭ Major | 9 | 3B | 130 BPM | ||
| Succumbing to Rage | Dmitry V. Silantyev | G Major | 5 | 9B | 100 BPM | ||
| Imurah | Steve Molitz | B♭ Major | 5 | 6B | 136 BPM | ||
| Discordant Feast | Pavel Lipski, Broken Servitors Orchestra | D♭ Major | 6 | 3B | 160 BPM | ||
| Battle 3-4 Medley | Daniel Licht | B♭ Minor | 5 | 3A | 95 BPM | ||
| 通常戦闘 - ヴェルムント地方 | 木村華 | B♭ Major | 5 | 6B | 120 BPM | ||
| Imurah Phases | Steve Molitz | C Minor | 4 | 5A | 77 BPM |