Rajkishan Agwanpuriya's ' "Saas Sasur Aur Nanad" was released on its scheduled release date, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rajkishan Agwanpuriya's "Haryanvi Rajkishan Ki Futkar Ragniya (Vol. 1, 2, 3, 4, 5, 6, 7 & 8)" album is number 2 out of 55. On top of that, France appears to be the country where this track was created. In terms of popularity, Saas Sasur Aur Nanad is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Saas Sasur Aur Nanad by Rajkishan Agwanpuriya to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sajan Ke Ghar Jana | Rajender Singh Kharkiya | A♭ Major | 7 | 4B | 110 BPM | ||
| Jija Menea Ladea Bali | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | D Major | 5 | 10B | 142 BPM | ||
| Tu Mehla Mein Rehne Wali | Kosinder, Rishipal, Karampal, Satpal Dosa, Ramavtar, Manju, Sunita Panchal | B Major | 7 | 1B | 93 BPM | ||
| Nai Nai Ban Kahe Gori | Jaysingh raja, jyoti Kushvah | D♭ Minor | 6 | 12A | 139 BPM | ||
| Choli Mein Rang Dalwale Patarki | Bharat Sharma Vyas | B♭ Major | 8 | 6B | 116 BPM | ||
| Ek Hath Dhal Talvar | Murlidhar Paudwal | E♭ Minor | 7 | 2A | 171 BPM | ||
| Lena Ek Na | Ramesh Kalawadiya | F Minor | 5 | 4A | 74 BPM | ||
| मां काली दिन रात रोवै मेरा लाल | Rajphool Kuchrania | B♭ Major | 7 | 6B | 136 BPM | ||
| Charcha Hori Balaji Hariyane Mein | Narendra Kaushik | F♯ Minor | 10 | 11A | 88 BPM | ||
| Deswa | Malini Awasthi | G Minor | 9 | 6A | 149 BPM | ||
| माला रो मणियों गुरुवाणी भजन | Sant Bhajana Nand | A♭ Major | 8 | 4B | 84 BPM | ||
| Shadi Asan Je | Kamla Keswani, Others | G Major | 6 | 9B | 139 BPM | ||
| Keniya Se Aaveli Kaari Re Badariya | Madan Rai | G Major | 5 | 9B | 119 BPM | ||
| Ku Ku Kera Charan Padharo Guru Deva | Swami Sachchidanand Aacharya | A♭ Major | 8 | 4B | 96 BPM | ||
| Dahej Deke Kinale Bani | Karina Pandey, Sovita Pandey, Hema Pandey | A♭ Major | 9 | 4B | 94 BPM | ||
| Lac Barash Tak Manas | Master Satbir | F♯ Minor | 4 | 11A | 80 BPM | ||
| Mere Jigar Main Khatak Sey Aek | Rajkishan Agwanpuriya | F♯ Major | 6 | 2B | 115 BPM | ||
| Ek To Re Chhori Teri Chal Mastani | Rajbala, Nardev | G Major | 7 | 9B | 77 BPM | ||
| Pyaare Inn Bidh Milan Na Jaayi - Special Version | Bhai Ranjit Singh Dhadrianwale | B Major | 8 | 1B | 138 BPM | ||
| Kala Balam Na Hota | Usha Shastri | A♭ Minor | 10 | 1A | 109 BPM | ||
| Kajri Biraha | Kalpana Patowary | E Major | 5 | 12B | 72 BPM | ||
| Mat Tohmad Lave | Azad Singh Khandakhedi | D Major | 7 | 10B | 85 BPM | ||
| Baba Jotram Aaj Kamal Ho Gaya | Sumit Kalanaur | A♭ Minor | 9 | 1A | 116 BPM | ||
| Bijli Kadke | Azad Singh Khandakhedi | G Minor | 1 | 6A | 74 BPM | ||
| Bhora Banke Maja Uda Lo | Arvind Kushwaha, Ramdevi Sargam | F♯ Major | 6 | 2B | 117 BPM |