John Williams's 'Slave Children's Crusade' had a release date set for January 1, 1984. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in John Williams's "Indiana Jones and the Temple of Doom (Original Motion Picture Soundtrack)" album is number 16 out of 22. On top of that, United States appears to be the country where this track was created. In terms of popularity, Slave Children's Crusade is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Slave Children's Crusade by John Williams to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Flight at the Opera | Joe Kraemer | E Minor | 3 | 9A | 141 BPM | ||
| The Orville Main Title | Bruce Broughton | C Minor | 5 | 5A | 0 BPM | ||
| Legend of Bionicle | Nathan Furst | D♭ Major | 3 | 3B | 73 BPM | ||
| Batman Escapes / Batman Flies - From The Episode "On Leather Wings" | Shirley Walker | C Major | 1 | 8B | 78 BPM | ||
| Suite from X2 | John Ottman | B♭ Major | 2 | 6B | 82 BPM | ||
| Atlantis of the Sands | Greg Edmonson | D Major | 5 | 10B | 141 BPM | ||
| Ahsoka - End Credits | Kevin Kiner | E Minor | 2 | 9A | 120 BPM | ||
| Star Trek - The Motion Picture: Main Title | Jerry Goldsmith, Boston Pops Orchestra, John Williams | C Major | 3 | 8B | 131 BPM | ||
| Meet the IMF | Joe Kraemer | A Minor | 1 | 8A | 90 BPM | ||
| The Orville: New Horizons Main Title | Bruce Broughton | F♯ Major | 3 | 2B | 110 BPM | ||
| Journey to Fort Sedgewick / Shooting Star / The John Dunbar Theme / Arrival at Fort Sedgewick (From "Dance with Wolves" Soundtrack) | John Barry | B♭ Major | 1 | 6B | 81 BPM | ||
| Crystal Palace - Conan The Destroyer/Soundtrack Version | Basil Poledouris | D Minor | 3 | 7A | 72 BPM | ||
| The Voyage To Mordor; Theme From The Lord Of The Rings | Leonard Rosenman | B♭ Major | 3 | 6B | 120 BPM | ||
| At The Bank | John Powell | F Minor | 4 | 4A | 160 BPM | ||
| Eternas | Armonias | B♭ Major | 1 | 6B | 145 BPM | ||
| Monorail Drama | Barry Gray | D Major | 8 | 10B | 124 BPM | ||
| 007 | John Barry | C Major | 5 | 8B | 81 BPM | ||
| Where Eagles Dare: Main Theme | Ron Goodwin, Rumon Gamba, BBC Philharmonic Orchestra | F Minor | 4 | 4A | 62 BPM | ||
| Sheep To The Horizon | Joel McNeely | G Major | 3 | 9B | 115 BPM | ||
| Memphis Belle End Title Suite | George Fenton | E♭ Major | 1 | 5B | 113 BPM | ||
| The Anvil of Crom (Form "CONAN THE BARBARIAN") | Basil Poledouris | G Minor | 4 | 6A | 123 BPM | ||
| X Marks the Spot | John Williams | G Major | 1 | 9B | 83 BPM | ||
| Thunderbirds - Main Theme (Main Theme) | Barry Gray | G Major | 1 | 9B | 129 BPM | ||
| Chopper | Basil Poledouris | F Major | 4 | 7B | 123 BPM | ||
| Two Wives | Basil Poledouris | E♭ Major | 0 | 5B | 90 BPM |