- BPM
- 91
- Key
- C Major
- Camelot
- 8B
I. Touch Her Soft Lip and Part by William Walton, Michaela Rózsa Růžičková, Czech Symphony Orchestra Song Details
"I. Touch Her Soft Lip and Part" by William Walton, Michaela Rózsa Růžičková, Czech Symphony Orchestra had its release date on March 16, 2024. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in William Walton, Michaela Rózsa Růžičková, Czech Symphony Orchestra's "Henry V: Two Pieces for Strings" album is number 1 out of 2. On top of that, United States appears to be the country where this track was created. In terms of popularity, I. Touch Her Soft Lip and Part is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of I. Touch Her Soft Lip and Part by William Walton, Michaela Rózsa Růžičková, Czech Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Music Key
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 39%
- Loudness
- -18.492 dB
- Acousticness
- 84%
- Danceability
- 14%
- Energy
- 14%
- Instrumentalness
- 97%
- Liveness
- 24%
- Loudness
- 69%
- Speechiness
- 4%
- Valence
- 12%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | D Major | 1 | 10B | 117 BPM | |
 | Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | |
 | Serenade for Strings in E-Flat Major, Op. 6: I. Andante con moto | Josef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker Hartung | B♭ Major | 1 | 6B | 109 BPM | |
 | Andante Spianato and Grande Polonaise Brillante in E-Flat Major, Op. 22 | Frédéric Chopin, Juraj Růžička | E♭ Major | 2 | 5B | 99 BPM | |
 | Symphony No. 6 in B Minor, Op. 74, 'Pathetique': II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Royal Liverpool Philharmonic Orchestra, Domingo Hindoyan | B Minor | 1 | 10A | 74 BPM | |
 | Aus aller Herren Landern (From Foreign Lands), Op. 23: I. Russian: Allegretto | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 0 | 8A | 87 BPM | |
| Symphony No. 1 in E Minor, Op. 39: II. Andante | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | D Major | 3 | 10B | 111 BPM | |
 | Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | |
 | Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 1 | 3B | 69 BPM | |
 | Erla’s Waltz (arr. for 8-string guitar by Joseph Ehrenpreis) | Ólafur Arnalds, Joseph Ehrenpreis | E♭ Minor | 2 | 2A | 174 BPM | |
 | Romeo and Juliet Suite No. 1, Op. 64bis: VI. Romeo and Juliet (Balcony Scene) | Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton | F Major | 0 | 7B | 79 BPM | |
 | 3 Spirituals for Orchestra: No. 2, Kum Ba Ya | Adolphus Hailstork, Virginia Symphony Orchestra, Joann Falletta | D Minor | 0 | 7A | 172 BPM | |
 | Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | |
 | Tales of the Magic Tree: I. With the Stream | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | G Minor | 1 | 6A | 104 BPM | |
 | Preludio No. 5 | Francisco Tárrega, Andrés Madariaga | E Major | 1 | 12B | 110 BPM | |
 | Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato | Sergei Prokofiev, The Cleveland Orchestra, Franz Welser-Möst | C Major | 0 | 8B | 105 BPM | |
| Symphony No. 2 in D Major, Op. 43: III. Vivacissimo | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | F♯ Major | 1 | 2B | 89 BPM | |
 | Walton: Crown Imperial | William Walton, The Coldstream Guards Band | C Major | 5 | 8B | 116 BPM | |
 | Romance | Gerald Finzi, Royal Ballet Sinfonia, David Lloyd-Jones | A♭ Major | 1 | 4B | 106 BPM | |
 | Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | |
 | Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | |
| saman (arr. for 8-string guitar by Joseph Ehrenpreis) | Ólafur Arnalds, Joseph Ehrenpreis | E Minor | 3 | 9A | 86 BPM | |
 | La Gioconda / Act 3: Dance of the Hours | Amilcare Ponchielli, Michaela Rózsa Růžičková, Czech Symphony Orchestra | E Major | 1 | 12B | 65 BPM | |
| El Testament D'amèlia | Miguel Llobet Solés, Andrés Madariaga | D Minor | 0 | 7A | 80 BPM | |
 | Symphony No. 2, Op. 30 "Romantic": III. Allegro con brio | Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz | D♭ Major | 2 | 3B | 128 BPM |
- ISRC
- US3DF2426978
- Label
- L-M Records/RCA Records