"Cry" by Balanescu Quartet, Ada Milea had its release date on April 18, 2011. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "The Island". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Cry is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cry by Balanescu Quartet, Ada Milea having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rêve de l'enfant | Yom, Iurie Morar | C Minor | 3 | 5A | 150 BPM | ||
| Scene 3 | Michael Galasso | G Major | 1 | 9B | 126 BPM | ||
| Friday | Balanescu Quartet, Ada Milea | G Major | 2 | 9B | 185 BPM | ||
| Stranger than Paradise: 6. Improvisation II | John Richard Lurie, Balanescu Quartet | B♭ Minor | 1 | 3A | 154 BPM | ||
| Paris, Texas | Gotan Project | A Minor | 3 | 8A | 140 BPM | ||
| Hammers (Arr. Knoth for Solo Violin, Piano, Strings & Electronics) | Nils Frahm, Mari Samuelsen, Soyoung Yoon, Christian Badzura, Scoring Berlin, Jonathan Stockhammer | B♭ Major | 1 | 6B | 97 BPM | ||
| Kaman Tché | Renaud Garcia-Fons | G Minor | 3 | 6A | 83 BPM | ||
| The Last Days (for 2 violins): 1. The Venetian Beginning | Gavin Bryars, Balanescu Quartet | B♭ Minor | 0 | 3A | 85 BPM | ||
| The Walk - Suuij Rework | Sylvain Texier, Ô Lake, Suuij | D Minor | 2 | 7A | 153 BPM | ||
| George's Waltz (II) | Shigeru Umebayashi | E Minor | 2 | 9A | 138 BPM | ||
| Democracy | Balanescu Quartet | C Major | 2 | 8B | 71 BPM | ||
| Slave Raid | Balanescu Quartet | B♭ Major | 4 | 6B | 98 BPM | ||
| Coucou | Las Hermanas Caronni | A Minor | 2 | 8A | 131 BPM | ||
| Passend | Wim Mertens | F♯ Major | 2 | 2B | 163 BPM | ||
| Scene 4 | Michael Galasso | G Minor | 1 | 6A | 76 BPM | ||
| Timeless Dreams | Aureum Classics | A Minor | 3 | 8A | 101 BPM | ||
| Bambini al telefono | Nicola Piovani | A♭ Major | 1 | 4B | 96 BPM | ||
| turn back | Jun Miyake | D Minor | 3 | 7A | 120 BPM | ||
| Polkaism | Laurent Dury | A♭ Major | 2 | 4B | 200 BPM | ||
| Bahamut | Hazmat Modine | F Minor | 6 | 4A | 154 BPM | ||
| Requiem in D Minor, K. 626: No. 6, Lacrymosa - Arr. by Johan Farjot | Ensemble Contraste | D Minor | 2 | 7A | 101 BPM | ||
| Muse | Nicolas Jaar | E♭ Minor | 0 | 2A | 86 BPM | ||
| Erik Satie: Gnossienne N° 1 (Drums & Piano Duet) | Alessandra Celletti, Marcello Piccinini | F Minor | 3 | 4A | 85 BPM | ||
| Flowering Jasmine | Gidon Kremer | A Minor | 0 | 8A | 135 BPM | ||
| Sylvains d'orient | Renaud Garcia-Fons, Claire Antonini | A Minor | 5 | 8A | 137 BPM |