Howie Mitchell's ' "In Good Old Colony Days" was released on its scheduled release date, January 1, 1964. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. In Good Old Colony Days's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The Appalachian Dulcimer: An Instructional Record". In this album, this song's track order is #23. In terms of popularity, In Good Old Colony Days is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With In Good Old Colony Days by Howie Mitchell having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Henry Lee (Original Mix) | Dick Justice | G Major | 2 | 9B | 147 BPM | ||
| Billy the Kid Suite: VII. Billy's Death | Aaron Copland, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 46 BPM | ||
| Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Julian Olevsky, Washington National Symphony Orchestra, Howard Mitchell | D Major | 4 | 10B | 95 BPM | ||
| The Derby Ram | A. L. Lloyd | B Major | 3 | 1B | 134 BPM | ||
| Cantare arcaico 1 | Angelo Francesco Lavagnino | A Minor | 2 | 8A | 61 BPM | ||
| Cousin Sally Brown | Willard Watson | F Major | 3 | 7B | 124 BPM | ||
| The Wild Rippling Water | Alan Lomax | B♭ Major | 4 | 6B | 183 BPM | ||
| Greeting Call | Enoch Brown | B♭ Major | 0 | 6B | 90 BPM | ||
| Humboldt Wassail | Holly Tannen | A Major | 2 | 11B | 106 BPM | ||
| Such | Charles Spencer | G Major | 6 | 9B | 152 BPM | ||
| O, That I Had Ne'er Been Married | Rod Paterson | A Major | 3 | 11B | 180 BPM | ||
| Portsmouth - Bonny Kate | Traditional, Ian Giles, Graham Metcalf, Jon Boden, John Spiers | G Major | 4 | 9B | 109 BPM | ||
| John Greer's Two Step | Stephen Wade | C Major | 2 | 8B | 160 BPM | ||
| Go 'Way from My Window | John Jacob Niles | D♭ Minor | 2 | 12A | 92 BPM | ||
| Believe Me, If All Those Endearing Young Charms | John McCormack, Edwin Schneider | E Major | 1 | 12B | 131 BPM | ||
| Mally Lee | Archie Fisher | C Major | 1 | 8B | 127 BPM | ||
| The Little Old Log Cabin In The Lane | Fiddlin John Carson | D Major | 1 | 10B | 99 BPM | ||
| Back Manner Tunes | William Coulter & Barry Phillips | C Major | 2 | 8B | 120 BPM | ||
| I Love Mother, I Love Her Way | Sister R. Mildred Barker, United Society of Shakers | A Major | 1 | 11B | 130 BPM | ||
| Johnson Boys | Lily Mae Ledford | E Major | 2 | 12B | 117 BPM | ||
| Adams: Nixon in China: Act I, Scene 1 - "Your Flight Was Smooth, I Hope?" | John Adams, Edo de Waart, Orchestra of St. Luke's | F Major | 1 | 7B | 98 BPM | ||
| The Herb Garden | John Barry | C Major | 2 | 8B | 79 BPM | ||
| Antioch | Western Massachusetts Sacred Harp Convention | G Minor | 3 | 6A | 76 BPM | ||
| Little Marget | Bascom Lamar Lunsford | C Major | 1 | 8B | 109 BPM | ||
| Peter and the Wolf, Op. 67: Introduction | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | G Minor | 1 | 6A | 110 BPM |