"Демон: Романс Демона "На воздушном океане"" by Anton Rubinstein, Georg Ots, Кирилл Раудсепп, Оркестр Государственного театра оперы и балета "Эстония" had its release date on April 27, 2017. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in Арии из опер и оперетт, so we believe that "Демон: Романс Демона "На воздушном океане"" is a single. Based on our statistics, Демон: Романс Демона "На воздушном океане"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Демон: Романс Демона "На воздушном океане" by Anton Rubinstein, Georg Ots, Кирилл Раудсепп, Оркестр Государственного театра оперы и балета "Эстония" is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lyric Pieces, Book X, Op. 71: No. 1, Det var engang. Andante con moto - Allegro brioso | Edvard Grieg, Javier Perianes | E Minor | 0 | 9A | 69 BPM | ||
| Liebeslied "Widmung, von Robert Schumann", S. 566 (After Myrthen, Op. 25/1) | Franz Liszt, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
| Müllerlieder, S. 565/R. 249: No. 5, Wohin? (After F. Schubert) | Franz Liszt, Yoonie Han | B Major | 0 | 1B | 69 BPM | ||
| Schumann, Clara: Scherzo No. 2 in C Minor, Op. 14 | Clara Schumann, Sophie Pacini | A♭ Major | 2 | 4B | 78 BPM | ||
| 5 Lieder, Op. 48, TrV 202: No. 1, Freundliche Vision (Arr. Gieseking) | Richard Strauss, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
| 6 Consolations, S.172: No. 2, Un poco più mosso | Franz Liszt, Saskia Giorgini | B Major | 0 | 1B | 133 BPM | ||
| On an Overgrown Path, JW VIII/17, Book 1: No. 7, Good Night! | Leoš Janáček, Lars Vogt | G Major | 0 | 9B | 129 BPM | ||
| The Demon, Act II: Ne plach ditya | Anton Rubinstein, Dmitri Hvorostovsky, Florence Illi-Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | D♭ Major | 3 | 3B | 173 BPM | ||
| Habanera | Emmanuel Chabrier, Janina Fialkowska | A Major | 5 | 11B | 100 BPM | ||
| Bagatelle, Op. 1: No. 1, Allegretto | Valentin Silvestrov, Natalya Pasichnyk | E♭ Major | 0 | 5B | 72 BPM | ||
| Má vlast: Vltava (The Moldau). Allegro commodo, non agitato | Bedřich Smetana, Duo Crommelynck | E Minor | 1 | 9A | 110 BPM | ||
| Paradis: Sicilienne 파라디스 시실리안느 | 김준영 | E♭ Major | 0 | 5B | 137 BPM | ||
| Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 111 BPM | ||
| No. 10 Mazurka In D Minor | Joseph Banowetz, Anton Rubinstein | D Major | 0 | 10B | 170 BPM | ||
| Preludes, Op.31 (2003 - Remaster): No.13 (Cantique des cantiques) | Charles-Valentin Alkan, Ronald Smith | B♭ Minor | 0 | 3A | 88 BPM | ||
| Schumann: Kinderszenen, Op. 15: VII. Träumerei (Arr. Trinkaus for Cello & Piano) | Robert Schumann, Taeguk Mun, Chi Ho Han | F Major | 0 | 7B | 170 BPM | ||
| Études dans le genre fugué, Op. 97: No. 12, Air. Lento | Anton Reicha, Ivan Ilić | E Major | 0 | 12B | 164 BPM | ||
| 8 Nocturnes, Op. 368: No. 6, Andante maesto | Carl Czerny, Roberte Mamou | E Major | 1 | 12B | 137 BPM | ||
| 4 Preludes for Piano, Op. 61: No. 1, Pensieroso | Ignaz Friedman, Joseph Banowetz | B Major | 0 | 1B | 73 BPM | ||
| Lullaby, Op. 10 | William Mason, Kenneth Boulton | E♭ Major | 1 | 5B | 98 BPM | ||
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | ||
| Huit Nocturnes, Op. 368: No. 3 in A-Flat Major | Carl Czerny, Isabelle Oehmichen | A♭ Major | 0 | 4B | 63 BPM | ||
| 10 Pieces for Piano, Op. 24: Romance, No. 9 | Jean Sibelius, Leif Ove Andsnes | D♭ Major | 0 | 3B | 69 BPM | ||
| Raff: Cavatina in A-Flat Major, Op. 85 No. 3 | Joachim Raff, Itzhak Perlman | D Major | 2 | 10B | 100 BPM | ||
| Moods, Impressions & Souvenirs, Op. 41, Book 1: No. 36, Andante amoroso | Zdeněk Fibich, William Howard | D♭ Major | 0 | 3B | 137 BPM |