Elliott Sharp, DJ Soul Slinger's ' "Eight" was released on its scheduled release date, September 8, 1998. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Rwong Territory". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, Eight's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Eight by Elliott Sharp, DJ Soul Slinger having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Addressing the Convention | Elliott Sharp, Sally Gates, Tashi Dorji | G Major | 5 | 9B | 95 BPM | ||
| Roving Transfers | Christian Marclay, Elliott Sharp | A♭ Major | 9 | 4B | 156 BPM | ||
| You Only Miss Me When I'm Gone | Elliott Sharp, Terraplane | C Major | 9 | 8B | 140 BPM | ||
| 17 West | Tomeka Reid | G Minor | 5 | 6A | 89 BPM | ||
| Xenophobe | Robert Charles | B Major | 6 | 1B | 104 BPM | ||
| Sea Change | Jeff Parker | B Minor | 5 | 10A | 172 BPM | ||
| Popular Science | Elliott Sharp, Sally Gates, Tashi Dorji | G Major | 5 | 9B | 95 BPM | ||
| Wrong Turn | DreamWants | F Minor | 3 | 4A | 80 BPM | ||
| Kodak | Sheib | F♯ Minor | 1 | 11A | 94 BPM | ||
| I'll Come Out ... Let Her Go! | Christian Marclay, Elliott Sharp | F Major | 8 | 7B | 163 BPM | ||
| Party lines | Nunes810 | B♭ Minor | 5 | 3A | 93 BPM | ||
| A Gift That Always Gives | Julio Tena Briggs | D♭ Minor | 3 | 12A | 74 BPM | ||
| Nowhere (For Bob Moses), Pt. 1 | Michael Gibbs | F Minor | 5 | 4A | 200 BPM | ||
| Array | Elliott Sharp, Sally Gates, Tashi Dorji | A Major | 7 | 11B | 138 BPM | ||
| Come Up | Nunes810 | B Minor | 2 | 10A | 120 BPM | ||
| Bateau | Marc Ribot | D♭ Major | 2 | 3B | 103 BPM | ||
| Voces En El Retrovisor | dj Rosali | D♭ Major | 6 | 3B | 239 BPM | ||
| Tres Very Very | Hélène Breschand, Elliott Sharp | B Major | 7 | 1B | 160 BPM | ||
| Better Luck (feat. Elliott Sharp & Kenny Aaronson) | Floyd Lee, Elliott Sharp, Kenny Aaronson | A♭ Major | 5 | 4B | 71 BPM | ||
| Floating Clarinet | John Lurie | F♯ Minor | 3 | 11A | 73 BPM | ||
| What Do You Know About Music, You're Not A Lawyer | John Lurie | B♭ Major | 2 | 6B | 129 BPM | ||
| Structure Fire | Nunes810 | C Major | 4 | 8B | 85 BPM | ||
| Untitled - Part 2 | Jim Staley, Elliott Sharp, Wayne Horvitz | D Major | 7 | 10B | 115 BPM | ||
| Incantation | Ill Considered | A Minor | 3 | 8A | 151 BPM | ||
| A New Planet | Marina Frescobaldi | G Minor | 2 | 6A | 72 BPM |