"The Girls Were Really Mean - From "#Horror" Score" by EMA had its release date on December 11, 2015. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in #Horror (Original Score), so we believe that "The Girls Were Really Mean - From "#Horror" Score" is a single. Based on our statistics, The Girls Were Really Mean - From "#Horror" Score's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Girls Were Really Mean - From "#Horror" Score by EMA is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| THE WITCH | Joséphine | C Major | 3 | 8B | 86 BPM | ||
| Urchin | Labyrinth Ear | C Minor | 6 | 5A | 129 BPM | ||
| Forgive Me | Austra | G Major | 8 | 9B | 120 BPM | ||
| Feral Love | Chelsea Wolfe | F Minor | 5 | 4A | 124 BPM | ||
| Night | Zola Jesus | E♭ Major | 7 | 5B | 100 BPM | ||
| sever | iamamiwhoami, ionnalee | G Major | 9 | 9B | 120 BPM | ||
| Slow and Quiet | Promise And The Monster | B♭ Minor | 4 | 3A | 106 BPM | ||
| Childhood's | Majical Cloudz | E Minor | 4 | 9A | 95 BPM | ||
| Until Then | Orcas, Benoît Pioulard, Rafael Anton Irisarri | C Major | 5 | 8B | 68 BPM | ||
| Sparkly | Young Magic | G Minor | 7 | 6A | 174 BPM | ||
| Chambers (Passing Train) | Hundred Waters | A♭ Minor | 4 | 1A | 142 BPM | ||
| Hush | Trills | G Minor | 4 | 6A | 118 BPM | ||
| Nada se compara a ti | Alana Lima | C Major | 3 | 8B | 86 BPM | ||
| You Dream of China | Emily Wells | A♭ Major | 4 | 4B | 124 BPM | ||
| MopTops (Twist While the World Stops) | EMA | F Major | 1 | 7B | 139 BPM | ||
| Kettering | The Antlers | A Minor | 2 | 8A | 140 BPM | ||
| Soft Scene | Autolux | D♭ Major | 6 | 3B | 119 BPM | ||
| Chrysalis | Nostalghia | D♭ Major | 7 | 3B | 134 BPM | ||
| Underwater | Vud, TVÅ | C Major | 4 | 8B | 177 BPM | ||
| No Comprende | Low | C Major | 3 | 8B | 86 BPM | ||
| The Wanting | Exitmusic | G Major | 4 | 9B | 72 BPM | ||
| Miarches - Remastered | Forest Swords | D♭ Major | 2 | 3B | 152 BPM | ||
| That Fever | Davidge | A Major | 3 | 11B | 120 BPM | ||
| Fresh Blood | Eels | C Major | 9 | 8B | 96 BPM | ||
| Mecca | Wild Beasts | F Minor | 5 | 4A | 135 BPM |