Late 9's 'High Hills' had a release date set for April 5, 2024. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in High Hills and no other songs are present in the album, we classify this track as a single. Based on our statistics, High Hills's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of High Hills by Late 9 to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Marionette | Cera Maven, Chris Zuehlke | A Major | 9 | 11B | 180 BPM | ||
| Becoming The Wolf | Asuna | D♭ Major | 10 | 3B | 142 BPM | ||
| Altered State | Asleep At The Helm, Ben Ville | G Major | 9 | 9B | 160 BPM | ||
| BMM | Against the Sun, Sarah Gamblin | A♭ Major | 9 | 4B | 200 BPM | ||
| The Matriarch | Totalbuzzkill | A♭ Minor | 9 | 1A | 93 BPM | ||
| Second Guessing | Reaching For An Exit, Ky Farrar, Late 9 | C Minor | 10 | 5A | 136 BPM | ||
| Better Off | Dead Eyes | E Minor | 10 | 9A | 116 BPM | ||
| Shadow Dancer | Vicious Rain | D♭ Major | 10 | 3B | 170 BPM | ||
| NEVER GAME OVER | Advents | G Minor | 10 | 6A | 144 BPM | ||
| Martyr | Red Keep | G Minor | 10 | 6A | 155 BPM | ||
| Trauma Room | ENOX | A Major | 10 | 11B | 99 BPM | ||
| DOWN | EVERGLADE | C Major | 10 | 8B | 110 BPM | ||
| Same Mistake | Making Blind Eyes See | B♭ Minor | 10 | 3A | 85 BPM | ||
| The Return | Lost Souls | B♭ Minor | 10 | 3A | 110 BPM | ||
| Drain | Downswing | D Major | 9 | 10B | 180 BPM | ||
| I'VE BEEN WRONG | Phantom Limbs | B♭ Minor | 9 | 3A | 140 BPM | ||
| Set the World on Fire | Iridium | B♭ Minor | 10 | 3A | 108 BPM | ||
| Ghost In The Graveyard | Divine Fallacy | F Minor | 9 | 4A | 145 BPM | ||
| DEMON CHILD | Within Destruction | F♯ Major | 9 | 2B | 150 BPM | ||
| The Madness | Beyond Unbroken | A♭ Major | 10 | 4B | 136 BPM | ||
| A Chosen Death | Uni/Vs | F Minor | 9 | 4A | 93 BPM | ||
| A Liar At Best | Livealie | E Minor | 10 | 9A | 120 BPM | ||
| Everything I Wanted | Prospective | G Major | 9 | 9B | 92 BPM | ||
| Weathered Eyes | Daeru | E Minor | 10 | 9A | 95 BPM | ||
| Soul Exchange | Like Moths To Flames | B♭ Minor | 10 | 3A | 149 BPM |