"The Departure from "The Leftovers" - Cover Version" by Sofa Sounds had its release date on January 4, 2017. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. The Departure from "The Leftovers" - Cover Version's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "The Best TV Theme Tunes of 2016". In this album, this song's track order is #5. Based on our statistics, The Departure from "The Leftovers" - Cover Version's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Departure from "The Leftovers" - Cover Version by Sofa Sounds having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Spider-Man 2 Main Title | Danny Elfman | A Minor | 6 | 8A | 122 BPM | ||
| I Am The Doctor In Utah | Murray Gold | D Minor | 5 | 7A | 170 BPM | ||
| He’s Here for Me | Heitor Pereira | D Major | 3 | 10B | 143 BPM | ||
| Rebuilt Jedi Enclave: Orchestral (From "Star Wars Knights of the Old Republic II: The Sith Lords") | Nathanael Lloyd | F Major | 1 | 7B | 148 BPM | ||
| Overture to the Unwritten (from "Hogwarts Legacy") | chuck e. myers 'sea', J Scott Rakozy, Peter Murray, Hogwarts Legacy | C Major | 3 | 8B | 74 BPM | ||
| Aloy's Theme (feat. Julie Elven) - Part 1 - Motherland | Joris de Man, Julie Elven | A Minor | 3 | 8A | 117 BPM | ||
| Metal Gear Solid - Big Boss Returns | Jonas B. Ingebretsen | D Major | 3 | 10B | 78 BPM | ||
| Battlefield 1942 Theme (Original Vehicle IV) | Joel Eriksson | B♭ Minor | 8 | 3A | 120 BPM | ||
| Spirit of Fire | Halo, Stephen Rippy | D Major | 3 | 10B | 97 BPM | ||
| Rising Waters | The Newton Brothers | C Minor | 7 | 5A | 135 BPM | ||
| Warface | Koda Bark | F♯ Minor | 1 | 11A | 120 BPM | ||
| The Game is On | David Arnold, Michael Price | C Major | 3 | 8B | 120 BPM | ||
| EPIC Doctor Who Theme | Pisces Rising | E Minor | 6 | 9A | 69 BPM | ||
| Penny Dreadful - The Unquiet Grave - Cover Version | Sofa Sounds | A Major | 3 | 11B | 80 BPM | ||
| Rifleman Cooper | Stephen Barton | A Minor | 6 | 8A | 118 BPM | ||
| The Dark Knight Triumphant / End Titles | Christopher Drake | A Major | 3 | 11B | 101 BPM | ||
| Now You See Me | Brian Tyler | D♭ Major | 5 | 3B | 101 BPM | ||
| Core Code | Ramin Djawadi | D Major | 3 | 10B | 80 BPM | ||
| Overture - From "TRON: Legacy"/Score | Daft Punk | D♭ Major | 1 | 3B | 73 BPM | ||
| The Battle of the Pelennor Fields | Howard Shore | E Minor | 4 | 9A | 121 BPM | ||
| The High Seas | Brian Tyler, Assassin's Creed | C Major | 5 | 8B | 130 BPM | ||
| The Friends We Left Behind | David Reichelt | F Minor | 3 | 4A | 120 BPM | ||
| The End... | Cris Velasco, Sascha Dikiciyan | D Minor | 3 | 7A | 78 BPM | ||
| You Are a Mandalorian | Ludwig Göransson | G Major | 2 | 9B | 81 BPM | ||
| Aloy's Theme - Forbidden West (feat. Julie Elven) | Joris de Man, Julie Elven | A Minor | 3 | 8A | 120 BPM |