Gone Future's 'The Middle' had a release date set for November 5, 2025. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since The Middle only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United States. Based on our statistics, The Middle's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Middle by Gone Future having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crypto Fugitive | Data Animal | A Major | 10 | 11B | 146 BPM | ||
| The Mole | Slomo Sapiens | E Major | 8 | 12B | 169 BPM | ||
| Why Do We Have Children | Nathan Weber | A Major | 8 | 11B | 143 BPM | ||
| Heaven Will Take Us In | Shepparton Airplane | E Major | 8 | 12B | 81 BPM | ||
| Over/Under | It It Anita | A Major | 8 | 11B | 143 BPM | ||
| Blindside | SILUETT | A Major | 8 | 11B | 143 BPM | ||
| Squish | Gretel | A Major | 8 | 11B | 143 BPM | ||
| The Release (Now it's over) | ALLEY the band | A Major | 9 | 11B | 136 BPM | ||
| Billy | Langkamer | A Major | 8 | 11B | 143 BPM | ||
| Pole Dancer | Tears of the Fatman | B Minor | 9 | 10A | 127 BPM | ||
| Good Night White Pride | Kraum, L'Osmose | C Major | 8 | 8B | 131 BPM | ||
| Seeking To Remain | Dreamwave | C Major | 9 | 8B | 128 BPM | ||
| Here, I Love You | Viceroy | F♯ Major | 7 | 2B | 196 BPM | ||
| WAKAMBA bar | Pan Arcadia | E Minor | 9 | 9A | 177 BPM | ||
| He Cried (Tender Absolute) | Sunday Mourners | A Major | 8 | 11B | 143 BPM | ||
| Till The End Of The Day | Fuzz | G Major | 6 | 9B | 118 BPM | ||
| Tambourine Bruises | Vehicle | A Major | 8 | 11B | 143 BPM | ||
| Oh I | Acoped | B Minor | 5 | 10A | 124 BPM | ||
| Highway II | SUEP | A Major | 8 | 11B | 143 BPM | ||
| Need This Around | Dead Dads Club | A Major | 8 | 11B | 143 BPM | ||
| Breathing | White Birches | D♭ Major | 6 | 3B | 82 BPM | ||
| Not Even Bored | Errorr | C Major | 10 | 8B | 97 BPM | ||
| Migraine | PROJECTOR | D Major | 9 | 10B | 134 BPM | ||
| Jiu-jitsu Soarée | Tears of the Fatman | B Major | 9 | 1B | 90 BPM | ||
| You Really Got Me | She'll Hunt, Talia Stewart, Jimi Greene | C Minor | 8 | 5A | 120 BPM |