Yesterdays Rising's 'Becoming One With Nature' had a release date set for July 12, 2005. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Yesterdays Rising's "Lightworker" album is number 9 out of 12. Based on our statistics, Becoming One With Nature's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Becoming One With Nature by Yesterdays Rising to be Vivace (lively and fast) because the track has a tempo of 157 BPM, a half-time of 78BPM, and a double-time of 314 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beautiful Things Are Better Left Dead | April's Love Affair | D Major | 9 | 10B | 94 BPM | ||
| As The Miles Sing The Distance | Signal The Escape | C Major | 9 | 8B | 187 BPM | ||
| Shattered Stillframes | Deadbeat Nightlife | A♭ Major | 9 | 4B | 79 BPM | ||
| Forget About Tonight | Love Driven Fury | A Major | 9 | 11B | 92 BPM | ||
| Iodine & Razorblades | Clarity Process | C Major | 10 | 8B | 125 BPM | ||
| Ashes of My Former Self | death in december | D♭ Major | 9 | 3B | 88 BPM | ||
| The Hardest Part | Yesterdays Rising | D♭ Major | 8 | 3B | 165 BPM | ||
| Resisting What Matters Most | Forgotten Alibi | D Minor | 9 | 7A | 112 BPM | ||
| This Dream Called Life | Lovehatehero | D Minor | 10 | 7A | 120 BPM | ||
| Your Picture's Worth a Thousand Lies | Farewell Unknown | C Major | 9 | 8B | 120 BPM | ||
| White Noise | Darling You Should Be Ashamed | F♯ Minor | 9 | 11A | 143 BPM | ||
| A Lesson in Charades | Asteria | G Major | 8 | 9B | 160 BPM | ||
| A Deluge Of Failed Attempts | Dear Whoever | D♭ Minor | 10 | 12A | 92 BPM | ||
| Prices Switch | GunsLikeGirls | G Minor | 10 | 6A | 142 BPM | ||
| The Chase | Oh Sweet Ransom | D Minor | 9 | 7A | 95 BPM | ||
| Neverending Story | PM Today | A Minor | 9 | 8A | 125 BPM | ||
| Intro To Obsession | GunsLikeGirls | C Major | 7 | 8B | 138 BPM | ||
| Outline Of A Monster | The Messenger | C Major | 9 | 8B | 156 BPM | ||
| A Perfect Smile and Broken Wings | Odd Project | F♯ Minor | 10 | 11A | 120 BPM | ||
| Kick Rocks | Grace Gale | G Minor | 10 | 6A | 170 BPM | ||
| Take the Throne | An Evening At Elmwood | B♭ Major | 8 | 6B | 95 BPM | ||
| A Second Chance to Make a First Impression | Asteria | D Major | 10 | 10B | 100 BPM | ||
| Stick to Fiction | Deadbeat Nightlife | D♭ Minor | 10 | 12A | 148 BPM | ||
| Some Backs | The February Heartache | G Major | 8 | 9B | 139 BPM | ||
| Knees Bled Begging | Lovehatehero | E Minor | 10 | 9A | 156 BPM |