Tim Moore's ' "I Can Almost See the Light" was released on its scheduled release date, 1974. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. I Can Almost See the Light's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Tim Moore". In this album, this song's track order is #6. Based on our statistics, I Can Almost See the Light's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With I Can Almost See the Light by Tim Moore having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| We Were Meant To Be Lovers | Jim Photoglo | B♭ Major | 5 | 6B | 120 BPM | ||
| Cry for Help | Rick Astley | C Major | 4 | 8B | 90 BPM | ||
| NEVER FAILS | STEVIE WILL AND STASH | E Minor | 5 | 9A | 116 BPM | ||
| Now I See | Tim Moore | A Major | 5 | 11B | 77 BPM | ||
| Without Your Love - From ‘McVicar’ Original Motion Picture Soundtrack | Roger Daltrey | D♭ Major | 3 | 3B | 124 BPM | ||
| Shannon | Henry Gross | F Major | 4 | 7B | 88 BPM | ||
| No Conversation | View From The Hill | C Major | 6 | 8B | 98 BPM | ||
| Been In Luv (92) | Cutting Crew | D♭ Major | 3 | 3B | 89 BPM | ||
| Living Inside Myself | Gino Vannelli | B Major | 4 | 1B | 120 BPM | ||
| Didn't Want To Say Goodbye | Bill LaBounty | B Minor | 2 | 10A | 107 BPM | ||
| All the Way | Paul Davis | G Major | 5 | 9B | 91 BPM | ||
| Over You | Lane Brody | D Major | 6 | 10B | 141 BPM | ||
| Candle Dancer | Bertie Higgins | A Minor | 9 | 8A | 151 BPM | ||
| Steady | Jules Shear | A Minor | 4 | 8A | 162 BPM | ||
| Stop in the Name of Love | The Hollies | G Minor | 6 | 6A | 115 BPM | ||
| What Other Reason - 2008 Digital Remaster | Johnny Hates Jazz | A Minor | 4 | 8A | 127 BPM | ||
| Please Be The One | Karla Bonoff | D Major | 2 | 10B | 90 BPM | ||
| Peace In Our Life ( Rambo II) First Blood | Frank Stallone | G Major | 6 | 9B | 173 BPM | ||
| Just To See Her | Smokey Robinson | E Minor | 4 | 9A | 109 BPM | ||
| When You Close Your Eyes | Tim Moore | C Major | 6 | 8B | 123 BPM | ||
| When You're Gone | Benjamin Orr | A Minor | 7 | 8A | 140 BPM | ||
| If I Have to Go Away | Jigsaw | G Major | 5 | 9B | 178 BPM | ||
| SHE USED TO BE MY WORLD | Marc Jordan | A Major | 3 | 11B | 134 BPM | ||
| Baby, What a Big Surprise - Edit | Chicago | F Major | 5 | 7B | 74 BPM | ||
| Darlin' | Frank Stallone | C Major | 7 | 8B | 123 BPM |