"Petting The Ram" by Sam Barsh had its release date on May 7, 2021. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 9 in Beat Tape, Vol. 6: Boom-Bap Side of the Barsh by Sam Barsh. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Petting The Ram is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Petting The Ram by Sam Barsh is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Triceratops / The Caller | Ruby Rushton | B♭ Minor | 6 | 3A | 150 BPM | ||
| Between the Lines | Veigar Margeirsson, The Reykjavik Big Band | E♭ Major | 4 | 5B | 115 BPM | ||
| Altitude feat. Joel Ross & Michael Mayo | Nate Smith, Joel Ross, Michael Mayo | B Minor | 7 | 10A | 110 BPM | ||
| Rising Son | Takuya Kuroda | D♭ Major | 4 | 3B | 86 BPM | ||
| Emotional Storm | Avishai Cohen, Mark Guiliana, Sam Barsh, Amos Hoffman | A Minor | 5 | 8A | 155 BPM | ||
| The Well-Wisher | Esbjörn Svensson Trio | G Major | 3 | 9B | 139 BPM | ||
| Shake It | Omer Klein | B♭ Minor | 3 | 3A | 103 BPM | ||
| Al E. Waze | Sam Barsh | F♯ Minor | 5 | 11A | 82 BPM | ||
| Gravity | Jeremy Ledbetter Trio | B Minor | 9 | 10A | 108 BPM | ||
| Rise And Shine | Robert Glasper | A♭ Major | 5 | 4B | 144 BPM | ||
| inside | Spirit Fingers, Greg Spero | B♭ Minor | 7 | 3A | 151 BPM | ||
| Nagoya Moon | The Laszlo Project | D♭ Major | 4 | 3B | 150 BPM | ||
| ACE | Walter Smith III, Matthew Stevens, Joel Ross, Harish Raghavan, Marcus Gilmore | G Major | 7 | 9B | 155 BPM | ||
| Tulipan | Lund Quartet | D♭ Minor | 2 | 12A | 79 BPM | ||
| Arrows and Loops | Ari Hoenig | E♭ Minor | 5 | 2A | 126 BPM | ||
| No Pt III | corto.alto | G Major | 6 | 9B | 110 BPM | ||
| u mean - Tiny Room Sessions | Greg Spero, MonoNeon, Ronald Bruner, Jr. | F Minor | 6 | 4A | 194 BPM | ||
| Ransidious | Sam Barsh | F♯ Minor | 6 | 11A | 80 BPM | ||
| Man On A Wire | Church Chords, Kristin Slipp, Mark Shippy, Sam Barsh, Ben Boye, Brandon Seabrook, Nate Walcott, Eric Slick | G Major | 6 | 9B | 140 BPM | ||
| Spiracles | Nate Smith | B♭ Major | 5 | 6B | 106 BPM | ||
| Ani Maamin | Avishai Cohen, Mark Guiliana, Sam Barsh | B♭ Minor | 4 | 3A | 94 BPM | ||
| Rainfall | Daniel Herskedal, Helge Andreas Norbakken, Eyolf Dale | A Minor | 4 | 8A | 107 BPM | ||
| Flip Side | Marc Copland | A♭ Major | 1 | 4B | 170 BPM | ||
| Institutionalized | Sam Barsh, Sam Barsh Trio, Kaveh Rastegar, Gene Coye | B♭ Minor | 4 | 3A | 81 BPM | ||
| Nucleus | Alfa Mist | A Minor | 4 | 8A | 162 BPM |