Jerry Goldsmith's 'Square One (End Credits)' had a release date set for 1989. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 33 in the song's album "The 'Burbs (Original Motion Picture Soundtrack) [Expanded Edition]". In this album, this song's track order is #33. Furthermore, we believe that the track originated from United States. Based on our statistics, Square One (End Credits)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Square One (End Credits) by Jerry Goldsmith having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| This is a Tale | Melbourne Symphony Orchestra, Nigel Westlake | D Minor | 2 | 7A | 92 BPM | ||
| The Mandalorian - Orchestral Version | Ludwig Göransson | D Minor | 2 | 7A | 83 BPM | ||
| Bram Stoker's Dracula: Mina / Dracula | Wojciech Kilar, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | B Minor | 1 | 10A | 80 BPM | ||
| Valeria Remembered - Conan The Destroyer/Soundtrack Version | Basil Poledouris | F Minor | 3 | 4A | 75 BPM | ||
| Airport (Main Title) | Alfred Newman | C Minor | 4 | 5A | 89 BPM | ||
| The Never-Feast | John Williams | A♭ Minor | 1 | 1A | 96 BPM | ||
| Back To The Future Overture | The Outatime Orchestra | B Major | 6 | 1B | 135 BPM | ||
| Birth | Cliff Eidelman | D Major | 1 | 10B | 74 BPM | ||
| Rush Hour 2 - Main Title | Lalo Schifrin | F Minor | 6 | 4A | 82 BPM | ||
| One Hundred Years Of Downton - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 81 BPM | ||
| Vapor | Mesyrea | F Minor | 6 | 4A | 154 BPM | ||
| The Oval Office To Main Title | W.G. Snuffy Walden | G Major | 3 | 9B | 112 BPM | ||
| Final Struggle and Triumph | Angela Morley | C Major | 3 | 8B | 115 BPM | ||
| Star Trek: Deep Space Nine: Main Title - From "Star Trek: Deep Space Nine" | Dennis McCarthy | C Major | 0 | 8B | 125 BPM | ||
| Elizabeth - Original Motion Picture Soundtrack: Love Theme | David Hirschfelder, Unknown Orchestra | B♭ Major | 1 | 6B | 80 BPM | ||
| Map And Willie | Dave Grusin | F♯ Minor | 1 | 11A | 172 BPM | ||
| No Following | Michael Kamen | A Minor | 1 | 8A | 87 BPM | ||
| Spooner Spills | Marco Beltrami | D Minor | 2 | 7A | 99 BPM | ||
| Amazons Of Themyscira | Rupert Gregson-Williams | E Minor | 2 | 9A | 80 BPM | ||
| Through the Bamboo Forest | Yo-Yo Ma, Tan Dun | E Minor | 0 | 9A | 121 BPM | ||
| Remo Floats | Craig Safan | D Major | 1 | 10B | 136 BPM | ||
| Assassination - Star Trek VI/Soundtrack Version | Cliff Eidelman | G Major | 0 | 9B | 68 BPM | ||
| Gods Of Egypt Prologue | Marco Beltrami | F♯ Minor | 2 | 11A | 74 BPM | ||
| Hellraiser | Christopher Young | A♭ Major | 1 | 4B | 89 BPM | ||
| First Love | Batman: Mask Of The Phantasm OMPST | E♭ Major | 0 | 5B | 90 BPM |