Kosindra, Rishi Pal, Santhosh's ' "Pardeshi Tei" was released on its scheduled release date, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Kosindra, Rishi Pal, Santhosh's "Hariyanvi Kissa Seth Tara Chand" album is number 2 out of 20. On top of that, France appears to be the country where this track was created. Based on our statistics, Pardeshi Tei's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Pardeshi Tei by Kosindra, Rishi Pal, Santhosh to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Teri Galiyo Ka Hun Ashiq Tu Ik Nagina Hai - Live | Chitra Vichitra Ji Maharaj | A♭ Major | 8 | 4B | 105 BPM | ||
| Mane Sawara Roop Dikha De | Moinuddin Manchala, Prakash Mali | E Major | 10 | 12B | 111 BPM | ||
| Babo Panchrang Penchadhari | Gopal Bajaj | D♭ Major | 6 | 3B | 100 BPM | ||
| Me Hindu Jagane Aya Hun | Ved Vyas | F♯ Major | 9 | 2B | 177 BPM | ||
| Lehari Anahad | Prahlad Singh Tipaniya, Devnarayan Saroliya, Ajay Tipaniya | F♯ Major | 6 | 2B | 138 BPM | ||
| Thari Aatma Re Daag Bhajan Marwadi | Rajkumar Swami | F Minor | 9 | 4A | 111 BPM | ||
| So so Pade | Kosindra, Rishi Pal | A Minor | 7 | 8A | 124 BPM | ||
| Ek Kheli Lagayi Par Part 1 | Swami Aadhar Chaitanya | A♭ Major | 5 | 4B | 159 BPM | ||
| Abhi Chhoti Hun Balam Jawan Hone De | Prakash Rutha | G Major | 6 | 9B | 95 BPM | ||
| Maa Ka Naam Japle | Lakhbir Singh Lakkha | B♭ Major | 7 | 6B | 89 BPM | ||
| Raja Mordhwaj Ki Jeevni, Pt. 5 | Ramniwas Rao | D♭ Major | 8 | 3B | 133 BPM | ||
| Har Dard Ki Dawa Hai | Haji Muhammad Aslam Sabri Qawwal | A♭ Major | 7 | 4B | 81 BPM | ||
| Mere Moula Hussain Hai | Haleem Taj | D♭ Major | 8 | 3B | 90 BPM | ||
| Shyam Ka Jhula | Pramod Tripathi | B Major | 5 | 1B | 146 BPM | ||
| Tere dar aaya main aaya tujhko lene - Live | Kanhiya Mittal | F Minor | 8 | 4A | 114 BPM | ||
| Radhika Gori Se (Live) - Jaya Kishori | Jaya Kishori | B Major | 6 | 1B | 77 BPM | ||
| Hungama Hai Kyon | Ghulam Ali | D♭ Major | 4 | 3B | 110 BPM | ||
| Shiksha Padhi | Kosindra, Rishi Pal | F♯ Major | 5 | 2B | 130 BPM | ||
| Ab Meri Bhan Pavansut Tuti | Surjan chaitanya | A♭ Minor | 6 | 1A | 121 BPM | ||
| Kasi Ke Bajar Main | Koshinder Khadana, Rishipal | A♭ Minor | 4 | 1A | 79 BPM | ||
| Irham Lana | Hamza Akram Qawwal, Taimoor Akram, Abdul Akram | G Minor | 7 | 6A | 100 BPM | ||
| Radhika Gouri Se | Manish Tiwari | A♭ Major | 7 | 4B | 83 BPM | ||
| Aaj Bardi Shcool | Satpal Dausa | A Minor | 7 | 8A | 141 BPM | ||
| Bajra Hum Na khaibe More Raja Bundeli | Malti Singh Parmar, Deshraj Patairiya | F Minor | 6 | 4A | 149 BPM | ||
| Kissa - Mahabharat Aaj Karn Bane Hai Senapati | Komal Choudhary, Tarun Baliyan | F Major | 10 | 7B | 128 BPM |