Enemies & Allies's ' "DIGITAL SADNESS" was released on its scheduled release date, May 14, 2025. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in DIGITAL SADNESS and no other songs are present in the album, we classify this track as a single. In terms of popularity, DIGITAL SADNESS is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of DIGITAL SADNESS by Enemies & Allies is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stay | Ghosts That We Knew | E Minor | 8 | 9A | 148 BPM | ||
| Rise | Prospective | G Major | 9 | 9B | 119 BPM | ||
| Just Breathe | A Swift Farewell, BESTIES | F♯ Minor | 10 | 11A | 90 BPM | ||
| What's Left Here? | Bad/Love | C Minor | 6 | 5A | 90 BPM | ||
| Left For The Crows | Foxblood | G Minor | 10 | 6A | 143 BPM | ||
| Dark Matter | Enemies & Allies | D♭ Major | 10 | 3B | 115 BPM | ||
| I Don't Love You Like I Wish I Could | Lost Trees, Royal Hearts | G Major | 9 | 9B | 176 BPM | ||
| Ec/Ipse | A Foreign Affair, Andy Cizek | F Minor | 9 | 4A | 110 BPM | ||
| Antithesis | Night Rider | G Minor | 10 | 6A | 160 BPM | ||
| Never Enough | ACCVSED | D♭ Major | 9 | 3B | 97 BPM | ||
| Cliffhanger | SENNA | F Major | 9 | 7B | 160 BPM | ||
| Thanks For Nothing | Dead Eyes | E Minor | 10 | 9A | 116 BPM | ||
| Killer of Minds | ACCVSED | D♭ Major | 9 | 3B | 97 BPM | ||
| One Missed Call | Everyone Dies In Utah | F Major | 9 | 7B | 131 BPM | ||
| Harbinger | Gone Cold | A♭ Major | 10 | 4B | 85 BPM | ||
| Humans | HumanKind | D Major | 9 | 10B | 92 BPM | ||
| Backstabber | Who They Fear | D♭ Major | 9 | 3B | 140 BPM | ||
| SUNBURN IN THE SUMMER | Comastatic | D♭ Major | 10 | 3B | 101 BPM | ||
| Phantom Hand | Alive in the Dark | E Major | 9 | 12B | 95 BPM | ||
| Soul Drown | As The Structure Fails | F Minor | 10 | 4A | 75 BPM | ||
| Bad Motives | Alchemize, Nathan Biddles | D♭ Minor | 9 | 12A | 90 BPM | ||
| Suspended In Air | Scary Kids Scaring Kids, Albert Schweizer | A♭ Major | 9 | 4B | 132 BPM | ||
| Old Wounds | Heroes For Ghosts | A♭ Minor | 9 | 1A | 122 BPM | ||
| Parting Ways | Adept | G Major | 10 | 9B | 110 BPM | ||
| Be Not Afraid | Awake At Last | A♭ Major | 10 | 4B | 131 BPM |