On September 15, 1989, the song "Let It Be" was released by John Bayless. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "The Beatles' Greatest Hits". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, Let It Be's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Let It Be by John Bayless having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Improvisation: Near The Still Waters Of Amsterdam | David Lanz | E♭ Major | 0 | 5B | 139 BPM | ||
| Müllerlieder, S. 565/R. 249: No. 5, Wohin? (After F. Schubert) | Franz Liszt, Yoonie Han | B Major | 0 | 1B | 69 BPM | ||
| The Lark | Mikhail Glinka, Dmitri Ferschtman, Mila Baslawskaja | E Minor | 1 | 9A | 92 BPM | ||
| Levitzki: The Enchanted Nymph | Mischa Levitzki, Stephen Hough | B Major | 0 | 1B | 84 BPM | ||
| Lady Madonna | John Bayless | G Major | 3 | 9B | 101 BPM | ||
| A Possible Path - Oltrepassare IV | Pietro Roffi | F Major | 1 | 7B | 109 BPM | ||
| A Musical Snuff Box, Op. 32 | Anatoly Lyadov, 藤井一興 | A Major | 3 | 11B | 132 BPM | ||
| Medley: The Man From Snowy River; Phar Lap; All The Rivers Run | Bruce Rowland | D Major | 1 | 10B | 73 BPM | ||
| Salut d'Amour, Op. 12: Salut d'amour, Op. 12 | Edward Elgar, Nigel Kennedy, Peter Pettinger, Stephen Isserlis | D Major | 1 | 10B | 84 BPM | ||
| Nocturne No. 9 in E-Flat Major. Andantino | John Field, John O'Conor | E♭ Major | 0 | 5B | 68 BPM | ||
| Let It Be | John Bayless | C Major | 2 | 8B | 79 BPM | ||
| Il Postino from "The Postman"/Visi d'Arte, from "Tosca" | Luis Bacalov, Giacomo Puccini, John Bayless | E♭ Major | 1 | 5B | 70 BPM | ||
| Tiny Dancer | Bernie Taupin, Elton John, John Bayless | A Minor | 2 | 8A | 114 BPM | ||
| Elgar: Sea Pictures, Op. 37: No. 2, In Haven. Capri (Arr. for Cello and Piano) | Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 80 BPM | ||
| Part VIII: Elegy for the Lost | Claude Pendereich | C Major | 1 | 8B | 84 BPM | ||
| Fantasia on Greensleeve (Excerpt) | Ralph Vaughan Williams, Adelaide Symphony Orchestra, Ron Spigelman | C Minor | 0 | 5A | 79 BPM | ||
| E. Satie Gymnopedie No. 3 | Alexander John Plowright, Erik Satie, A-P-M Productions | A Minor | 3 | 8A | 80 BPM | ||
| 2 Mélodies, Op. 3: 1. Moderato assai | Anton Rubinstein, Shura Cherkassky | F Major | 1 | 7B | 75 BPM | ||
| E lucevan le stelle... (And the stars were shining...) | Giacomo Puccini, John Bayless | D Major | 0 | 10B | 65 BPM | ||
| An American Song | Jane Leslie | C Major | 0 | 8B | 90 BPM | ||
| Sonata No. 8 In C Minor, Op. 13 "pathetique" - Ii. Adagio Cantabile | Ludwig van Beethoven, Robert Taub | A♭ Major | 0 | 4B | 66 BPM | ||
| Nocturne No. 12 in G Major, H. 58 | John Field, Miceal O'Rourke | B♭ Major | 0 | 6B | 73 BPM | ||
| Nostalgic notes | Sereneer | F Minor | 9 | 4A | 128 BPM | ||
| Sonata No. 8 in C Minor, Op. 13 ('Grande Sonate Pathétique'): II. Adagio cantabile | Ludwig van Beethoven, Bruno-Leonardo Gelber | D Major | 4 | 10B | 128 BPM | ||
| Eleanor Rigby | John Bayless | A Minor | 2 | 8A | 153 BPM |