Raghunath Manet's ' "Garland Of Tânam" was released on its scheduled release date, March 8, 2000. This song appears to be safe for all ages as it is not explicit. The track order of this song in Raghunath Manet's "Karnatik" album is number 8 out of 8. On top of that, France appears to be the country where this track was created. The popularity of Garland Of Tânam is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Garland Of Tânam by Raghunath Manet to be Vivace (lively and fast) because the track has a tempo of 166 BPM, a half-time of 83BPM, and a double-time of 332 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Namashivaya Vaazhga | Lalgudi Swaminathan | D♭ Major | 3 | 3B | 81 BPM | ||
| Anjali to Sérana | Serge Serna | F Major | 3 | 7B | 81 BPM | ||
| Mangal Murati Marut Nandan | Rajan Mishra, Sajan Mishra | D♭ Major | 4 | 3B | 144 BPM | ||
| Saravanabava | Raghunath Manet, Umayalpuram K. Sivaraman | C Major | 4 | 8B | 151 BPM | ||
| Rama Rama Seetha Rama | Roopa Shree H S | E♭ Major | 3 | 5B | 162 BPM | ||
| Pullanguzhal | Kalaimamani Prabhavathi Ganesan | B♭ Minor | 6 | 3A | 91 BPM | ||
| Thondhisariya (Mayamalavagowla) | Swarathmika Srikanth | A♭ Major | 7 | 4B | 100 BPM | ||
| Sarasasamadhana | N. Ramani | E♭ Major | 6 | 5B | 137 BPM | ||
| Brova Bharama - Instrumental | Prakash Sontakke | C Major | 6 | 8B | 90 BPM | ||
| Kriti: "śri Mahāgaṇapati" / Colkaṭṭu Svara | Ranganayaki Rajagopalan, Raja Rao | A♭ Major | 6 | 4B | 152 BPM | ||
| Raag Lalit | Amaan Ali Bangash | C Major | 5 | 8B | 93 BPM | ||
| Yaaro Ivar Yaaro - Mandolin | U. Srinivas | C Minor | 5 | 5A | 148 BPM | ||
| Yochana: Darbur - Aadi - Thyagaraja | Tyagaraja, U. Srinivas | G Major | 6 | 9B | 100 BPM | ||
| Raga Durga: Tana Derena Dere Dere | Padma Talwalkar, Satyajit Talwalkar, Pramod Dhundiraj Marathe, Gauri Suresh Dahle | D♭ Major | 4 | 3B | 110 BPM | ||
| Krishna Nee Begane - Raga Yamuna Kalyani - Tala Misra Chapu | Aruna Sairam, S. Karthick, J. Vaidyanathan, Archana | B♭ Major | 3 | 6B | 139 BPM | ||
| Innum En Manam | U. Srinivas | F Major | 5 | 7B | 149 BPM | ||
| Nijagada Sa | Sindhubhairavi | Instrumental (Veena & Mridangam) | Ramana Balachandhran | B♭ Major | 1 | 6B | 113 BPM | ||
| Jagododhara | Purandara Daasaru | E Major | 4 | 12B | 79 BPM | ||
| Chakkani Raja | Sound Creed, Sayee Rakshith | A Minor | 6 | 8A | 90 BPM | ||
| Thirupugazh - Violin | Kunnakudi Vaidyanathan, Valayappatti A. R. Subramaniam | E Minor | 7 | 9A | 177 BPM | ||
| Himagirithanaye - Shudha Dhanyasi - Adi | Tripunithura Krishnadas | B Minor | 8 | 10A | 160 BPM | ||
| Nilambari - Nilambari - Adi | Lalgudi G. Jayaraman | A♭ Major | 7 | 4B | 143 BPM | ||
| Aarti | Dinesh Mishra | E Major | 4 | 12B | 98 BPM | ||
| Shakti | Raghunath Manet | B Major | 1 | 1B | 104 BPM | ||
| Karpooram Naarumo - Khamas - Kanda Chapu | IndianRaga, Vinod Krishnan | F Minor | 6 | 4A | 105 BPM |