Surekha, Shamitha's ' "Maha Poojyanavva - Studio" was released on its scheduled release date, March 29, 2017. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Maha Poojyanavva - Studio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Sri Veerabhadreshwara Namadyana (Studio)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. Maha Poojyanavva - Studio is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Maha Poojyanavva - Studio by Surekha, Shamitha having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mama.. Maratalo Maratalo Ninn Tangi Nann Maratalo | Music Mailari | E♭ Minor | 7 | 2A | 86 BPM | ||
| Habba Maadi Urige Hontena | Basavaraj Narendra | G Minor | 7 | 6A | 88 BPM | ||
| Endigu Kaayvalu Nammavva | Rajkumar | E Major | 6 | 12B | 80 BPM | ||
| Jayatu Jaya Jaya | Surekha | F Major | 5 | 7B | 171 BPM | ||
| Sharanam Vigna Vinasa | Dappu Srinu | E♭ Major | 7 | 5B | 91 BPM | ||
| Jeeva Kolabyaada | Basavaraj Narendra, Divya | E Major | 5 | 12B | 117 BPM | ||
| Gatthile Muribyada | Basavaraja Narendra, Nanditha | F Minor | 8 | 4A | 90 BPM | ||
| Hanumantha Pahi | Narasimha Naik | A♭ Major | 4 | 4B | 171 BPM | ||
| Bangari Singari | Jhosef Ashapur, Shamitha, Sneha | A Major | 6 | 11B | 145 BPM | ||
| Sankara Nandhana | T.S. Radhakrishnan | B Minor | 9 | 10A | 130 BPM | ||
| E Gori Wo | Gofelal Gendle, Chaya Chandrakar | B Minor | 8 | 10A | 113 BPM | ||
| Huligemma Baare Manege | K. Yuvaraj | F Minor | 7 | 4A | 129 BPM | ||
| Samakotta Sathiradi | Guru | D Major | 8 | 10B | 140 BPM | ||
| Elli Rama Kirtane | Sri Ganapathy Sachchidananda Swamiji | A♭ Major | 8 | 4B | 145 BPM | ||
| Sharanu Sharanayya | Surekha, Shamitha | D Minor | 5 | 7A | 133 BPM | ||
| Banthamma Indhu | B.K. Sumitra | B♭ Major | 4 | 6B | 150 BPM | ||
| Dhinkanaku Dina Durgamma | L.N. Shastri, Badri Prasad, Soumya Ganga | D Major | 4 | 10B | 98 BPM | ||
| Benna Hinde - Reprise | B. Jayashree, Hamsalekha | B♭ Minor | 3 | 3A | 140 BPM | ||
| Shree Chakravasini | Pramod, Pradeep | A Minor | 7 | 8A | 146 BPM | ||
| Yaramma Navilanneri Bandavan | B. R. Chaya | B♭ Major | 6 | 6B | 137 BPM | ||
| Ow How Ow How Endhu | milidhane Dinesh, David-Dinesh-Manuel | A Minor | 7 | 8A | 90 BPM | ||
| Huttiddu Holymani | Shimoga Subbanna | G Major | 5 | 9B | 81 BPM | ||
| Sodasa Kalanidhiki | Nithya Santhoshini | B♭ Minor | 5 | 3A | 94 BPM | ||
| Ashtalakshmi Sthotram | Lalitha Sagari | A Minor | 6 | 8A | 152 BPM | ||
| Atthe Maava Gange | Veerabhadra S. Soundi, Sujatha Dutt, Puttur Narasimha Nayak, Surekha, Pallavi, B. R. Chaya, Premalatha | D Minor | 6 | 7A | 182 BPM |