The Nutcracker, Op. 71, TH 14, Act II Scene 12: Chocolate (Spanish Dance) by Pyotr Ilyich Tchaikovsky, London Symphony Orchestra, Sir Charles Mackerras Song Details

Pyotr Ilyich Tchaikovsky, London Symphony Orchestra, Sir Charles Mackerras's 'The Nutcracker, Op. 71, TH 14, Act II Scene 12: Chocolate (Spanish Dance)' had a release date set for November 1, 1986. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Tchaikovsky: The Nutcracker, Op. 71, TH 14 (Complete Ballet Score) [Original Motion Picture Soundtrack]". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. In terms of popularity, The Nutcracker, Op. 71, TH 14, Act II Scene 12: Chocolate (Spanish Dance) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With The Nutcracker, Op. 71, TH 14, Act II Scene 12: Chocolate (Spanish Dance) by Pyotr Ilyich Tchaikovsky, London Symphony Orchestra, Sir Charles Mackerras having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Music Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 3%
Loudness: -21.673 dB
Acousticness: 93%
Danceability: 22%
Energy: 12%
Instrumentalness: 88%
Liveness: 22%
Loudness: 64%
Speechiness: 4%
Valence: 22%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Emperor Waltz Op. 437	Johann Strauss II, Hallé, Bryden Thomson	C Major	0	8B	186 BPM
La forza del destino: Overture (Sinfonia)	Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado	E Minor	2	9A	80 BPM
Polovetsian Dances from Prince Igor: Moderato alla breve	Alexander Borodin, George Szell, The Cleveland Orchestra	A Major	2	11B	108 BPM
The Magic Flute, K. 620: Overture	Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer	E♭ Major	1	5B	90 BPM
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King	Edvard Grieg, Esa-Pekka Salonen	B Minor	2	10A	104 BPM
The Four Seasons - Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": I. Allegro non molto	Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields	F Minor	2	4A	158 BPM
Dvorák / Transc. Lenaerts: Rusalka, Op. 114, Act 1: Song to the Moon	Antonín Dvořák, Anneleen Lenaerts	F♯ Major	0	2B	168 BPM
Prelude in C Sharp Minor, Op. 3, No. 2 (Arr. Orchestra) - Live	Sergei Rachmaninoff, Czech Philharmonic, Leopold Stokowski	E♭ Major	4	5B	124 BPM
Stolze & Tchaikovsky: Onegin: Opening Scene - Dance of the Young Girls (After Eugen Onegin, Op. 24)	Kurt-Heinz Stolze, Pyotr Ilyich Tchaikovsky, John Lanchbery, Sydney Symphony Orchestra	E♭ Major	0	5B	118 BPM
Verdi: Ballet (Otello): Verdi: Ballet (Otello)	Giuseppe Verdi, Munich Radio Orchestra, Ivan Repušić	A Minor	0	8A	120 BPM
The Sleeping Beauty, Op. 66 : Le Prologue: Marche - Entree du Roi Florestan et sa cour (Entrance of King Florestan and Court)	Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice	A Major	2	11B	112 BPM
Romance No. 2 In F Major, Op. 50	Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven	F Major	1	7B	88 BPM
Rhapsodie Orientale, Op. 29: 1. Andante	Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit	D♭ Major	0	3B	89 BPM
Peter and the Wolf, Op. 67: The Bird	Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard	C Major	0	8B	99 BPM
The Red Poppy, Op. 70: V. Valse	Reinhold Glière, Sir Edward Downes, BBC Philharmonic	D Major	1	10B	163 BPM
The Snowstorm: II. Waltz	Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra	A Major	2	11B	70 BPM
Symphony No. 9 in D Minor, Op. 125 "Choral": II. Scherzo. Molto vivace – Presto	Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan	G Major	2	9B	119 BPM
Giselle: No. 21 - Andante	Adolphe Adam, Michael Tilson Thomas, London Symphony Orchestra	E♭ Major	0	5B	73 BPM
Nocturne en Mi Bémol Majeur, Op. 9 No. 2	Frédéric Chopin, Luis Fernando Pérez	E♭ Major	0	5B	61 BPM
Giselle, Act 1: No. 3 Giselle’s Entrance, Giselle and Albrecht first meet and are discovered by Hilarion	Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon	E♭ Major	1	5B	88 BPM
IV. In the Hall of the Mountain King	Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud	G Major	1	9B	90 BPM
On the Beautiful Blue Danube - Waltz Op. 314	Johann Strauss II, Hallé, Bryden Thomson	D Major	0	10B	81 BPM
2 Pieces, Op. Posth., B. 188: No. 1, Lullaby in G Major	Antonín Dvořák, Stefan Veselka	G Major	0	9B	66 BPM
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante	Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek	D Major	0	10B	114 BPM
Masquerade Suite: Maskarad (Masquerade): I. Waltz	St. Petersburg State Symphony Orchestra, Aram Khachaturian	C Major	3	8B	94 BPM