The Base's ' "Dirty Little Hole" was released on its scheduled release date, 2009. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 16 Songs In Self Defense, so we believe that "Dirty Little Hole" is a single. Based on our statistics, Dirty Little Hole's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Dirty Little Hole by The Base is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Last Night At The Museum | Stoneland | A♭ Major | 6 | 4B | 104 BPM | ||
| Death Is the New Sex | Tunng | G Major | 5 | 9B | 100 BPM | ||
| Beethoven On His Knees | Dean Omori | C Major | 3 | 8B | 171 BPM | ||
| MAYBE MONDAY | Mason Samuel Smith | A♭ Minor | 3 | 1A | 96 BPM | ||
| Big Surprise | H-Burns | B Minor | 3 | 10A | 147 BPM | ||
| Gold to Straw | Oum Shatt | D♭ Major | 9 | 3B | 152 BPM | ||
| Where You Belong | Hollow Horses | A Minor | 4 | 8A | 75 BPM | ||
| Be Restless | Dean Omori | A Major | 6 | 11B | 140 BPM | ||
| That's Me In A Spaceship | The Base | A Major | 5 | 11B | 106 BPM | ||
| Youme & Meyou | Einstürzende Neubauten | F♯ Major | 4 | 2B | 130 BPM | ||
| Smalltown Boy | Plewka & Schmedtje, Jan Plewka, Marco Schmedtje | G Major | 6 | 9B | 102 BPM | ||
| Horse Gone Far | Puts Marie | E Minor | 6 | 9A | 171 BPM | ||
| Against the Rich | Warhaus | C Minor | 6 | 5A | 138 BPM | ||
| Rushing In Waves | Jim White, Trey Blake | A Minor | 4 | 8A | 73 BPM | ||
| Boom | Midnight Colors | C Major | 6 | 8B | 126 BPM | ||
| Monday Is Just an Ordinary Day | Zrick | E Minor | 7 | 9A | 127 BPM | ||
| Come Undone | Isobel Campbell, Mark Lanegan | B♭ Minor | 3 | 3A | 172 BPM | ||
| Weeping for the World | Postindustrial Poets | G Minor | 5 | 6A | 108 BPM | ||
| Blue Splinter View | Me And My Drummer | F Minor | 7 | 4A | 105 BPM | ||
| Chat Wall | Marco De Luca | D♭ Major | 5 | 3B | 130 BPM | ||
| A Song For Myself | Get Well Soon | F Major | 9 | 7B | 123 BPM | ||
| Big-A-Dog - Big-A-Bite | Gerd Baumann, Sebastian Horn | E Major | 7 | 12B | 128 BPM | ||
| Loser's Game | The Slow Show | E Minor | 3 | 9A | 98 BPM | ||
| Heads Or Hearts | The Base | E Minor | 4 | 9A | 98 BPM | ||
| No God Anymore | Element Of Crime | B Minor | 5 | 10A | 95 BPM |