- BPM
- 92
- Key
- F Minor
- Camelot
- 4A
Wild Swans by Ricky Ian Gordon Song Details
"Wild Swans" by Ricky Ian Gordon had its release date on 2001. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Wild Swans's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 18 in Bright Eyed Joy: Songs By Ricky Ian Gordon by Ricky Ian Gordon. In terms of popularity, Wild Swans is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Wild Swans by Ricky Ian Gordon is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
Music Key
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -12.294 dB
- Acousticness
- 98%
- Danceability
- 39%
- Energy
- 30%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 80%
- Speechiness
- 6%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | No One Has Ever Loved Me | Original Broadway Cast Of 'Passion' | C Major | 0 | 8B | 117 BPM | |
 | Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | |
 | Patterns | Richard Maltby Jr., David Shire, Lynne Wintersteller, Patrick S. Brady | E♭ Minor | 1 | 2A | 101 BPM | |
 | Come to Me in My Dreams, H. 71 - Musical Moments | Frank Bridge, Theodore Platt, Keval Shah | D♭ Major | 1 | 3B | 134 BPM | |
 | Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | D♭ Major | 1 | 3B | 134 BPM | |
 | Ma rendi pur contento | Vincenzo Bellini, Cecilia Bartoli, Jean-Yves Thibaudet | A♭ Major | 1 | 4B | 108 BPM | |
 | Sailing | William Finn, Norm Lewis, Malcolm Gets, Ted Sperling | D♭ Major | 2 | 3B | 83 BPM | |
 | What Can You Lose? | Judy Kuhn | D Minor | 2 | 7A | 84 BPM | |
 | Mama, It's Me | Brent Carver | G Major | 1 | 9B | 84 BPM | |
 | ‘I Am Cherry Alive’ | Melanie Helton, Ricky Ian Gordon | C Major | 2 | 8B | 135 BPM | |
 | Le nozze di Figaro, K.492 / Act 4: "Giunse alfin il momento" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | C Major | 0 | 8B | 108 BPM | |
 | Porgy And Bess: Summertime | George Gershwin, Betty Lane, Houston Grand Opera Women"s Ensemble, Houston Grand Opera Orchestra, John DeMain, Houston Grand Opera | E Minor | 1 | 9A | 109 BPM | |
 | Broken Souls | wangyaolong | D♭ Major | 1 | 3B | 134 BPM | |
 | I'll Be Here | Audra McDonald | D Major | 2 | 10B | 70 BPM | |
 | That'll Show Him | Preshy Marker | C Major | 2 | 8B | 125 BPM | |
 | My Fair Lady, Act I Scene 4: How'd Ya Like That? | Frederick Loewe, Annie Wensak, Leo Roberts, Alun Armstrong | D♭ Major | 2 | 3B | 50 BPM | |
 | The Story Goes On | Liz Callaway | C Major | 2 | 8B | 81 BPM | |
 | 21. Braid the raven hair, Weave the supple tresses | Arthur Sullivan, Peggy Ann Jones, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | B♭ Major | 1 | 6B | 141 BPM | |
 | Air | Ricky Ian Gordon, Frank O'Hara, Clare Gormley, Kevin Murphy | E♭ Minor | 2 | 2A | 101 BPM | |
 | Joy | Ricky Ian Gordon, Nicole Cabell | E♭ Major | 3 | 5B | 139 BPM | |
 | Banalités, FP 107: II. Hôtel | Francis Poulenc, Claire Booth, Jâms Coleman | D♭ Major | 1 | 3B | 134 BPM | |
 | Susannah / Act 2: "The trees on the mountain" | Carlisle Floyd, Renée Fleming, Metropolitan Opera Orchestra, James Levine | G Minor | 1 | 6A | 169 BPM | |
 | O del mio amato ben - Voice | Stefano Donaudy, Carlo Bergonzi, John Wustman | A Major | 1 | 11B | 60 BPM | |
 | The House of Life: Silent Noon | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | E♭ Major | 0 | 5B | 169 BPM | |
 | What Does He Want of Me? | Mary Elizabeth Mastrantonio | F Major | 1 | 7B | 96 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records