Re-Trick's 'Evidence' had a release date set for February 7, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 13 in Evidence by Re-Trick. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Evidence is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Evidence by Re-Trick is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 君想ふ故に、僕在り | TRI4TH | C Major | 8 | 8B | 133 BPM | ||
| n°33 | Schroeder-Headz | G Major | 8 | 9B | 168 BPM | ||
| Gift Shop | Jeremy Ledbetter Trio | D Major | 5 | 10B | 108 BPM | ||
| Beyond the Redemption | Nautilus | A♭ Major | 7 | 4B | 116 BPM | ||
| Blue Eyed Monster | SOIL & “PIMP” SESSIONS | C Minor | 9 | 5A | 128 BPM | ||
| Nasty Catawampus | Simon Yong | G Major | 9 | 9B | 123 BPM | ||
| One Finger Snap | Fred Nardin Trio | A♭ Major | 6 | 4B | 82 BPM | ||
| 不忍の忍者 | SANOVA | B Minor | 9 | 10A | 165 BPM | ||
| On a clear day | MIDORINOMARU | C Major | 10 | 8B | 124 BPM | ||
| Generation S | Peter Martin, Gregory Hutchinson, Sarah Hanahan, Reuben Rogers | F Minor | 5 | 4A | 127 BPM | ||
| Sea of Tranquility | SOIL & “PIMP” SESSIONS | C Major | 4 | 8B | 112 BPM | ||
| All Is One | Quasimode | C Minor | 9 | 5A | 122 BPM | ||
| Tokyo Tribal Sacrifice | Schroeder-Headz | E Minor | 7 | 9A | 128 BPM | ||
| Sazanami | Riyoko Takagi | B♭ Minor | 4 | 3A | 139 BPM | ||
| Nadare | colspan | D♭ Minor | 9 | 12A | 136 BPM | ||
| Beat Birds | Sara Wakui | A♭ Major | 9 | 4B | 125 BPM | ||
| ジェンナリーノ | Chihiro Yamanaka | C Major | 5 | 8B | 106 BPM | ||
| Beautiful Flight | H ZETTRIO | C Major | 10 | 8B | 142 BPM | ||
| Galilea | Jesus Molina, Art Baden, Euan Leslie, Guy Bernfeld, Carlos Guardela | B♭ Major | 8 | 6B | 90 BPM | ||
| HYPNOSIS | 松井 秀太郎, 中林俊也, 兼松 衆, 小川晋平, 小田桐和寛 | B♭ Major | 7 | 6B | 158 BPM | ||
| no sign | Schroeder-Headz | D Major | 7 | 10B | 128 BPM | ||
| Luna Sol | Riyoko Takagi | B♭ Minor | 4 | 3A | 139 BPM | ||
| Jazz in the Static | Electric Jazz Hands | D♭ Major | 7 | 3B | 97 BPM | ||
| No Access? | Larnell Lewis | F Minor | 8 | 4A | 136 BPM | ||
| Ga-oh | EYRIE | D♭ Major | 7 | 3B | 110 BPM |