On October 1, 1999, the song "Mhare Manra Mein Basgi Gauri" was released by Rukmani Bajan, Om Prakash. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 6 in Devariyo Pyaro Laage by Rukmani Bajan, Om Prakash. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Mhare Manra Mein Basgi Gauri is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Mhare Manra Mein Basgi Gauri by Rukmani Bajan, Om Prakash is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Seeta Ke Sang Saheliyan | Sharda Sinha | A Major | 5 | 11B | 96 BPM | ||
| Jati Chara Jai Go | Parikshit Bala | D Major | 4 | 10B | 101 BPM | ||
| Shiv Kailasho Ke Wasi | Pola Ram Dhangwal, Anuradha Paudwal, Anjali, Urmila | F♯ Major | 5 | 2B | 130 BPM | ||
| Tujhi Majhi Jodi Jamlee | Kishore Kumar, Anuradha Paudwal | A♭ Major | 8 | 4B | 103 BPM | ||
| Dinachya Dayala (From "Akkalkot Swamichi Palkhi") | Suresh Wadkar | B Minor | 6 | 10A | 102 BPM | ||
| Barkha Jhuki Aege | Narendra Singh Negi | D♭ Major | 8 | 3B | 165 BPM | ||
| Yeh Dil Aur Unki Nigahon Ke Saye - Jhankar Beats | Lata Mangeshkar, Hero And King Of Jhankar Studio | A Major | 6 | 11B | 83 BPM | ||
| Aakhi Dui Jadi Habure | Anuradha Paudwal | B♭ Minor | 9 | 3A | 109 BPM | ||
| Bhimrayacha Mala | Vitthal Umap | F Major | 5 | 7B | 158 BPM | ||
| Dheero Rado Dheero | Narendra Singh Negi, Anuradha Nirala, Meena Rana | B Minor | 3 | 10A | 175 BPM | ||
| Aisa Pyar Bada De Re Maiya | Hari Om Sharan | D Major | 4 | 10B | 95 BPM | ||
| Bahag Eti Mankho Ritu Nohoy | Bhupen Hazarika | E Major | 4 | 12B | 101 BPM | ||
| Je Jon Premer Bhab Janena | Runa Laila | E Major | 6 | 12B | 101 BPM | ||
| Amen Alleluya | Jikki | F♯ Major | 5 | 2B | 152 BPM | ||
| Keshava Madhava | Mahesh Hiremath, Shubhangi Joshi | A♭ Major | 6 | 4B | 188 BPM | ||
| Jhoola Dare hain Ambua ki daal mein maa | Rakesh Tiwari | A♭ Minor | 5 | 1A | 95 BPM | ||
| Payana Kata Maje Bharlan Go | Ranjana Shinde | B Major | 5 | 1B | 196 BPM | ||
| Jhule Palna Anusya Gate | Anuradha Paudwal | A♭ Major | 3 | 4B | 178 BPM | ||
| Ram Dhun Lagi | Ravindra Jain, Hariharan | E Minor | 8 | 9A | 95 BPM | ||
| Chal Kanwariya Chal Kanwariya (From "Shiv Mahima") | Hariharan | D Major | 9 | 10B | 81 BPM | ||
| Koi Bole Ram Ram Koi Khudae | Bhai Jaswinder Singh Ji | C Major | 8 | 8B | 93 BPM | ||
| Tor Karan Baiha Banev | Laxman Masturiya, Nirmala Chandan | E Minor | 6 | 9A | 172 BPM | ||
| Garbha Grahathile & Aatha Unn Koyilukku - Language: Tamil; Genre: Amman | Veeramanidaasan | F Major | 6 | 7B | 117 BPM | ||
| Ya Chimanyanno | Rani Varma | C Major | 1 | 8B | 60 BPM | ||
| Yoger Anko Sekhali | Amrik Singh Arora | E Minor | 4 | 9A | 136 BPM |